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Maggie Q

‘Divergent’ Wastes Talented Cast on Joyless Adaptation

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Despite the best efforts of a game Shailene Woodley and likely future star Theo James, Neil Burger’s “Divergent,” based on the hit book by Veronica Roth, is a joyless, soulless, humorless dud. It is repetitious to the point of parody, never feels like it exists in anything approximating reality, and, like so many “Hunger Games” wannabes, forgets that it’s the characters of that franchise that matter and not the goofy machinations of the plot.

Bless Us Father, For We Bear Witness to ‘Priest’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The cure for the Recovering Catholic may be obtained in the new film “Priest.” Both symbolic and kick-ass, Priest has a parallel universe that includes the ubiquitous vampire, but with the bonus of their opponents being highly trained Catholic priests.

Tepid Con Job Spoils Sexual Intrigue in ‘Deception’ With Ewan McGregor

HollywoodChicago.com Oscarman rating: 2/5CHICAGO – Despite its timid title, “Deception” has all the right ingredients for a decent tale of mystery: a strong premise, sound acting and the famous femme fatale. It even starts with a promising conviction: How does a background player in life deal with initiation into a secret society?

‘Balls of Fury’: Thank You; Try Again

Rating: 2/5CHICAGO – Thank you. Try again. When your sell is entirely dependent on being utterly hi-lar-ious, you’d better trigger unruly body spasms.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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