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Liv Tyler

James Gunn’s Memorable ‘Super’ With Rainn Wilson, Ellen Page

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – A much darker cousin of Matthew Vaughn’s “Kick-Ass” by way of “Taxi Driver,” James Gunn’s “Super” is a tonally inconsistent comedy that nevertheless features one of my absolute favorite performances of the year so far and enough interesting ideas to warrant a look. If only those ideas were shaped into something a bit more coherent. “Super” could have lived up to its title.

‘The Incredible Hulk’ Indeed Jacked Up on CGI Roids, But Medusa’s in His Face

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Technology has done double-edged service and disservice to the legendary Hulk superhero character from Stan Lee’s Marvel Comics.

In peering at the CGI-created ripped body of nothing remotely reminiscent of Edward Norton, the 2008 film iteration of “The Incredible Hulk” has a leg light years up on Lou Ferrigno’s character in the 1978 television series of the “The Incredible Hulk”.

Despite its Title, ‘The Strangers’ Actually a Familiar Repeat of Horror Film Conventions

HollywoodChicago.com Oscarman rating: 1.5/5CHICAGO – Poor Liv Tyler. She’s stuck in a remote vacation home with nothing but the blank-stare acting of Scott Speedman to “save” her. What’s a rock daughter who becomes an actress to do? First, she shouldn’t sign onto yet another version of the couple-in-terror cliché.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

  • A Field in England (teaser)

    CHICAGO – I can’t recommend this more. “A Field in England” is a flashback and a flash forward all at once. It’s impossible to watch without thinking of great counter culture cinema. In fact when I saw it at Fantastic Fest 2013 it played as part of a double bill with Ken Russell’s “The Devils” (1971). They made perfect cinematic companion pieces. Russell’s film concerned a wayward priest desperate to protect his 17th century city from corruption in the Church only to fall victim to group hysteria when he is, ironically, accused of witchcraft by a jealous nun.

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