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Liv Tyler

James Gunn’s Memorable ‘Super’ With Rainn Wilson, Ellen Page

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – A much darker cousin of Matthew Vaughn’s “Kick-Ass” by way of “Taxi Driver,” James Gunn’s “Super” is a tonally inconsistent comedy that nevertheless features one of my absolute favorite performances of the year so far and enough interesting ideas to warrant a look. If only those ideas were shaped into something a bit more coherent. “Super” could have lived up to its title.

‘The Incredible Hulk’ Indeed Jacked Up on CGI Roids, But Medusa’s in His Face

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Technology has done double-edged service and disservice to the legendary Hulk superhero character from Stan Lee’s Marvel Comics.

In peering at the CGI-created ripped body of nothing remotely reminiscent of Edward Norton, the 2008 film iteration of “The Incredible Hulk” has a leg light years up on Lou Ferrigno’s character in the 1978 television series of the “The Incredible Hulk”.

Despite its Title, ‘The Strangers’ Actually a Familiar Repeat of Horror Film Conventions

HollywoodChicago.com Oscarman rating: 1.5/5CHICAGO – Poor Liv Tyler. She’s stuck in a remote vacation home with nothing but the blank-stare acting of Scott Speedman to “save” her. What’s a rock daughter who becomes an actress to do? First, she shouldn’t sign onto yet another version of the couple-in-terror cliché.

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  • Knick, The

    CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?

  • Transcendence

    CHICAGO – The Internet is for real in “Transcendence”, a B-movie with grade-A production quality, loaded with terabyte-size open-ended questions, so long as one can accept it lastly with a scientific mindset. It is a film that perceives technology to be more expansive than a box of wires and computer chips, and actualizes the expanse of the internet as limitless to the realm of spiritual.

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