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Lindsay Lohan

Lindsay Lohan Stars in Numbingly Vapid ‘The Canyons’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – In January 2013, The New York Times wrote a scathing, fascinating piece about the tumultuous production of Paul Schrader’s “The Canyons.” The narrative was essentially that star Lindsay Lohan was so difficult on set that it derailed the directorial work of the writer of “Taxi Driver” in ways that would make a reality TV producer pull out his check book to buy the footage.

Robert Rodriguez’s ‘Machete’ Pushes Excess Past Breaking Point

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Not everything should be filet mignon. Sometimes you just want a greasy, delicious cheeseburger. Now imagine eating ten of those cheeseburgers in a row. Robert Rodriguez’s “Machete” starts as a wonderful gore-fest but falls victim to its creator’s inability to realize he doesn’t need to answer to every violent vision he can dream up. The film is proof that even extremely over-the-top films can be monotonous in that their one tone is “ARGH!”

Considering Sore Subject Matter of ‘Chapter 27,’ ‘Why?’ is Only Plausible Reaction

HollywoodChicago.com Oscarman rating: 2/5CHICAGO – As a contemporary of the John Lennon assassination in 1980 and an ardent admirer of the late Beatle, I had a hard time figuring out the reasons for making the film “Chapter 27”.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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