CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.
CHICAGO – In January 2013, The New York Times wrote a scathing, fascinating piece about the tumultuous production of Paul Schrader’s “The Canyons.” The narrative was essentially that star Lindsay Lohan was so difficult on set that it derailed the directorial work of the writer of “Taxi Driver” in ways that would make a reality TV producer pull out his check book to buy the footage.
CHICAGO – Not everything should be filet mignon. Sometimes you just want a greasy, delicious cheeseburger. Now imagine eating ten of those cheeseburgers in a row. Robert Rodriguez’s “Machete” starts as a wonderful gore-fest but falls victim to its creator’s inability to realize he doesn’t need to answer to every violent vision he can dream up. The film is proof that even extremely over-the-top films can be monotonous in that their one tone is “ARGH!”
CHICAGO – As a contemporary of the John Lennon assassination in 1980 and an ardent admirer of the late Beatle, I had a hard time figuring out the reasons for making the film “Chapter 27”.