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Keri Russell

Social History is Revitalized in ‘Free State of Jones’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The United States is still fighting the Civil War, which ended in 1865. The rebellious South has never completely given away its anger and sorrow for the changes the war has wrought on them. These larger themes are examined historically in the new film, “Free State of Jones.”

Dull Soap Opera in ‘Dawn of the Planet of the Apes’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Dawn Of The Planet Of The Apes” just goes to show that you can have the most expensive and best looking visual effects money can buy, but it doesn’t mean a damn thing if you haven’t got a good tale to tell.

Jane Rolls Over Again for Wretched ‘Austenland’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – One of the most incorrect assumptions in literature iconography is the focus on Jane Austen as a purely romantic writer – skipping the depth of character, humor and cynicism in her work, for the sake of mooning over “Mr. Darcy.” The new film “Austenland” continues this trend.

With Music its Star, Whole of ‘August Rush’ Greater Than Sum of Parts

HollywoodChicago.com Oscarman rating: 3/5CHICAGO – When you look at films critically, you sometimes spend too much time examining the pieces of the whole without stepping back from the picture and taking it as a complete work.

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  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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