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Katie Holmes

Trite ‘Woman in Gold’ Lacks a Compelling Story

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The horrors of the Holocaust have been expressed in cinematic art through many angles. “Woman in Gold” takes another track, that of restoring a work of art that was stolen from a Jewish family in Austria. The legal maneuverings, however, lacks a sense that this is victorious.

‘The Giver’ Takes Too Much From Young Adult Formula

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “The Giver” must have seemed a lot newer back when it was written than it does now. The Newberry Medal winning, middle school staple predates many other Young Adult series about oppressive big brother-ish societies. But its filmed adaptation, coming on the heels of “Divergent” and “The Hunger Games,” can’t help but feel like it’s riding their coattails.

Adam Sandler Sticks to Formula in ‘Jack and Jill’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – No one will ever accuse Adam Sandler of not knowing his audience and the reason they keep coming back to his “Happy Madison” genre of films – he delivers the oddball characters, lots of bodily fluids/sounds, physical beatings and the know-it-all straight man. Add the gooey sentiment and out spews the latest, “Jack and Jill.”

Channing Tatum Stars in Inconsistent ‘The Son of No One’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Director Dito Montiel and star Channing Tatum were once tagged with the label of the hot new debut artistic partnership. 2006’s great “A Guide to Recognizing Your Saints” introduced both men to the world and it felt like it could be the calling card for a creative team to someday rival Scorsese and De Niro.

Ineffective ‘Don’t Be Afraid of the Dark’ From Producer Guillermo Del Toro

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Echoing elements of masterful works by Producer Guillermo Del Toro (most notably “The Devil’s Backbone,” “Pan’s Labyrinth”), “Don’t Be Afraid of the Dark” is an incredibly frustrating remake, a film that reminds one of scary movies instead of actually producing scares itself.

Kevin Kline, John C. Reilly Are Eccentric New Yorkers in ‘The Extra Man’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The beauty of watching creative character actors like Kevin Kline and John C. Reilly is that they seem to revel in the craft of embodying their roles. In “The Extra Man,” they both take a trippy and literate script and apply some additional magic that helps to flesh out a young man’s journey into the heart of Manhattan.

Star Power Can’t Save ‘Mad Money’ From ‘Thelma & Louise’ Writer Callie Khouri

HollywoodChicago.com Oscarman rating: 2/5CHICAGO – Whenever there’s stunt-movie casting with divergent generations of Hollywood “stars,” there’s bound to be trouble at the multiplex.

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  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.

  • Black White Love Play

    CHICAGO – The love story of a prominent Chicago celebrity couple becomes the basis for a metaphoric and tuneful celebration about courage and coming together. “The Black White Love Play: The Story of Chaz & Roger Ebert” – written and directed by Black Ensemble Theater’s Jackie Taylor – portrays the film critic and the civil rights lawyer in their time, but also creates an atmosphere of emotion through song, sorrow and jubilation.


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