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Katie Holmes

‘Touched With Fire’ Contains a Different Perspective

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – How do you explain air? That is what our thoughts are, after all – carbon-based cells interacting with circumstantial environment, sending the “message.” What if those cells send the thought receiver something outside “normal”? This is the exploration in the new film ‘Touched With Fire.’

Trite ‘Woman in Gold’ Lacks a Compelling Story

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The horrors of the Holocaust have been expressed in cinematic art through many angles. “Woman in Gold” takes another track, that of restoring a work of art that was stolen from a Jewish family in Austria. The legal maneuverings, however, lacks a sense that this is victorious.

‘The Giver’ Takes Too Much From Young Adult Formula

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “The Giver” must have seemed a lot newer back when it was written than it does now. The Newberry Medal winning, middle school staple predates many other Young Adult series about oppressive big brother-ish societies. But its filmed adaptation, coming on the heels of “Divergent” and “The Hunger Games,” can’t help but feel like it’s riding their coattails.

Adam Sandler Sticks to Formula in ‘Jack and Jill’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – No one will ever accuse Adam Sandler of not knowing his audience and the reason they keep coming back to his “Happy Madison” genre of films – he delivers the oddball characters, lots of bodily fluids/sounds, physical beatings and the know-it-all straight man. Add the gooey sentiment and out spews the latest, “Jack and Jill.”

Channing Tatum Stars in Inconsistent ‘The Son of No One’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Director Dito Montiel and star Channing Tatum were once tagged with the label of the hot new debut artistic partnership. 2006’s great “A Guide to Recognizing Your Saints” introduced both men to the world and it felt like it could be the calling card for a creative team to someday rival Scorsese and De Niro.

Ineffective ‘Don’t Be Afraid of the Dark’ From Producer Guillermo Del Toro

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Echoing elements of masterful works by Producer Guillermo Del Toro (most notably “The Devil’s Backbone,” “Pan’s Labyrinth”), “Don’t Be Afraid of the Dark” is an incredibly frustrating remake, a film that reminds one of scary movies instead of actually producing scares itself.

Kevin Kline, John C. Reilly Are Eccentric New Yorkers in ‘The Extra Man’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The beauty of watching creative character actors like Kevin Kline and John C. Reilly is that they seem to revel in the craft of embodying their roles. In “The Extra Man,” they both take a trippy and literate script and apply some additional magic that helps to flesh out a young man’s journey into the heart of Manhattan.

Star Power Can’t Save ‘Mad Money’ From ‘Thelma & Louise’ Writer Callie Khouri

HollywoodChicago.com Oscarman rating: 2/5CHICAGO – Whenever there’s stunt-movie casting with divergent generations of Hollywood “stars,” there’s bound to be trouble at the multiplex.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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