HollywoodChicago.com RSS   Facebook   HollywoodChicago.com on Twitter   Free Giveaway E-mail   

Kate Hudson

Bill Murray Rolls Downhill in ‘Rock the Kasbah’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – What’s up with this movie? Everything in it is so wrong headed, despite movie star casting and a attempt toward “current events.” Setting itself in a modern and complex country – Afghanistan – but creating a perspective on that country that is straight ugly American, “Rock the Kasbah” is a total downer.

‘Wish I Was Here’ Will Make You Wish You Weren’t There

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Writer, director and lead actor Zach Braff has put it on the line for his latest feature, “Wish I Was Here.” He infamously used a crowdfunding Kickstarter campaign to maintain creative control of the film, but he needn’t have bothered. The movie result is a sappy, high concept emotional manipulator with no basis in authenticity, and that might be the best thing that can be said about it.

Kate Hudson Reveals Hell in ‘A Little Bit of Heaven’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Kate Hudson portrays a dying woman in “A Little Bit of Heaven,” and the film is so annoying that her extinguishment can’t come fast enough. The film insults both living and dying, and virtually everything in between, and brings along Lucy Punch, Kathy Bates, Gael Garciá Bernal, Peter Dinklage and Whoopi Goldberg for the funeral.

Kate Hudson in ‘Something Borrowed’ is Something Bad

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Wedding movies, the wedding industrial complex, weddings as women’s literature, where does it end? (divorce) It’s that time of year, and the wedding film makes its ritualistic appearance, here represented by the morally bankrupt “Something Borrowed.”

‘The Killer Inside Me’ a Study in Sociopathic Blandness

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Michael Winterbottom’s ’50s-era neo-noir “The Killer Inside Me” creeps up on you in the creepiest possible way. Just as I was ready to write it off, I ended up caving in to its charms, or lack thereof. This film often seems as utterly cuckoo as its central antihero, and that’s what makes it so darn mesmerizing. Sure, it’s sort of a mess, but boy is it engrossing, with a strong emphasis on the gross.

Star-Studded ‘Nine’ With Daniel Day-Lewis Delivers Grand Musical Spectacle

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Rob Marshall’s highly anticipated “Nine” isn’t quite the complete piece that it could have been, but its flaws are easy to overlook in favor of the spectacle of old-fashioned, pure entertainment. It is what so many musicals are remembered for being: a series of memorable moments, the toe-tapping sum of which makes a missed beat or two easier to overlook.

Matthew McConaughey, Kate Hudson Feel Valentine’s Day Love in ‘Fool’s Gold’

HollywoodChicago.com Oscarman rating: 3.5/5CHICAGO – Check off this list of stock movie characters: the broke rogue adventurer, his sensible love interest, the daffy heiress, her gruff but benign wealthy father, the evil rival, the doltish but loyal sidekick, the evil rival’s goons and the “seems to be evil but in the end turns out heroic” buddy.

Hot stories on the Web

Syndicate content

User Login

Free Giveaway Mailing


  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


HollywoodChicago.com on Twitter


HollywoodChicago.com Top Ten Discussions