CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.
CHICAGO – Mavis Gary (Charlize Theron) isn’t a girl you’d Facebook like. She’s got one too many dark passengers, she’s a repugnant drunk, she likes too much pink, her white dog is too puffy and most would consider it less than Usher cool that she’s throwing herself at a married man she couldn’t bag back in high school. Or is she? And is Mavis so different than you?
CHICAGO – Director Jason Reitman is becoming like a fine wine. He’s maturing with age, tasting newer with each sip and leaving an aftertaste that makes you think you’ll savor what’s next.
CHICAGO – For Oscar-winning “Juno” writer Diablo Cody, writing “Jennifer’s Body” with “Transformers” star Megan Fox and “Mamma Mia!” star Amanda Seyfried as the two lead women was as much of an out-of-body experience as Charlize Theron’s against-type role in 2003’s “Monster”.
CHICAGO – I’m flummoxed. I know “Smart People” was supposed to be comedic drama with a splash of romance. Instead, I have been misled. It’s not a comedy. It’s not a tragedy. It’s not even a tragicomedy.
CHICAGO – Staying sane is truly an edge-of-the-knife proposition. We are all the sum of our past environments, our present circumstances and our future worries. The sludge that is generated by such a mixture becomes the psyche that’s ready to interact with other psyches we deem important or are forced to be around through family or commerce.
AUSTIN, Texas – No one says anything plainly in “Juno”. Hyper clever, hyper literate and hyper pop savvy, it tells a light story of teenage pregnancy in a package of verbose middle classiness.