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Jonathan Rhys Meyers

Nothing New in ‘The Mortal Instruments: City of Bones’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The last time I checked, I am not a swoony teenage girl, looking to be romanced by a hunky-but-shadowy demon hunter. Thus the margin for enjoying “The Mortal Instruments: City of Bones” falls off like a leaf on an autumn tree. Even Kristen Stewart, I mean Lily Collins, can’t save it.

With Music its Star, Whole of ‘August Rush’ Greater Than Sum of Parts

HollywoodChicago.com Oscarman rating: 3/5CHICAGO – When you look at films critically, you sometimes spend too much time examining the pieces of the whole without stepping back from the picture and taking it as a complete work.

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  • [Trans]formation

    CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.

  • Life Sucks

    CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”

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