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Jonathan Rhys Meyers

Nothing New in ‘The Mortal Instruments: City of Bones’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The last time I checked, I am not a swoony teenage girl, looking to be romanced by a hunky-but-shadowy demon hunter. Thus the margin for enjoying “The Mortal Instruments: City of Bones” falls off like a leaf on an autumn tree. Even Kristen Stewart, I mean Lily Collins, can’t save it.

With Music its Star, Whole of ‘August Rush’ Greater Than Sum of Parts

HollywoodChicago.com Oscarman rating: 3/5CHICAGO – When you look at films critically, you sometimes spend too much time examining the pieces of the whole without stepping back from the picture and taking it as a complete work.

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  • Spike Heels Stage Play

    CHICAGO – If you can remember the 1990s outside of childhood, you are in the glow of middle age, so congratulations. The Brown Paper Box Co. theater ensemble takes us back to those thrilling days of yesteryear with “Spike Heels,” a relationship comedy centering on the co-mingling antics of two couples, with a slight nod toward George Bernard Shaw and the play “Pygmalion” (or its musical counterpart, “My Fair Lady”).

  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

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