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John Malkovich

‘Cesar Chavez’ is Stiff History of a Heroic Man

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – How can one man bring down a ruthless industry? By building a union that never backs down, because he never backed down. ‘Cesar Chavez’ depicts the United Farm Workers union organizer in the 1960s who sought justice against virtual slave conditions for immigrant labor, assuring his place in history.

Despite Flopping as a Comic Book Movie, ‘Red 2’ Coasts By with Well-Written Characters

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – If you didn’t see the DC Entertainment splash screen when this “Red 2” sequel kicks off with the fake death of one of its usual suspects, you wouldn’t mind that the rest of the film feels nothing like a comic book movie except for its animated transitions between scenes.

Zombie Flick ‘Warm Bodies’ Resurrects the Undead

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – For the one millionth time in movie history, zombies walk among us in “Warm Bodies.” But this isn’t an ordinary entry in the undead genre, this has a load of romance, symbolism and John Malkovich. “It” couple Nicholas Hoult and Teresa Palmer give a whole new meaning to going steady.

Talented Ensemble Wasted on Incredibly Dull ‘Red’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – They say you can learn as much from a bad movie as you can from a good one. If that’s true, what’s the lesson to be taken from the extremely boring and misguided “Red”? Perhaps that moviemaking is not the sum of its parts and that you can’t just get together an amazing cast, shout action, and expect magic.

Diane Lane a Champion in Literal Horse Opera ‘Secretariat’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – In real life, we cling to the notion that the inconceivable can happen, that magical probability can penetrate the mendacity of everyday existence, but it rarely if ever happens. That is what makes the new film “Secretariat” so appealing, that 37 years ago the impossible did happen, through the heart of a horse and his believers. Diane Lane and John Malkovich lead the charge.

Josh Brolin, Megan Fox Dash Between the Explosions in ‘Jonah Hex’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Delving deep into the comic book lexicon, the latest page-to-film adaptation is “Jonah Hex,” featuring Josh Brolin, Megan Fox and John Malkovich. Hex is a scarred bounty hunter whose primary job seems to be saving America, when he isn’t in the midst of or causing things to blow up real good.

John Malkovich and the Morality of South Africa in ‘Disgrace’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – In a stark and compelling tale of naked vulnerability, John Malkovich becomes the centerpiece of the continuing battle for territory and humanity within the country of South Africa, in the newly released “Disgrace.”

‘Beowulf’ in IMAX 3D Affords Break For Big Actors to Improve Even Themselves

HollywoodChicago.com Oscarman rating: 4/5CHICAGO – It’s all the rave today to exhume an epic from long, long ago and bring it back on the monster screen bigger, better and with more grandeur than ever fathomable before.

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  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

  • A Field in England (teaser)

    CHICAGO – I can’t recommend this more. “A Field in England” is a flashback and a flash forward all at once. It’s impossible to watch without thinking of great counter culture cinema. In fact when I saw it at Fantastic Fest 2013 it played as part of a double bill with Ken Russell’s “The Devils” (1971). They made perfect cinematic companion pieces. Russell’s film concerned a wayward priest desperate to protect his 17th century city from corruption in the Church only to fall victim to group hysteria when he is, ironically, accused of witchcraft by a jealous nun.

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