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Jennifer Garner

Imagine What Could Have Been for ‘Danny Collins’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Danny Collins” is a shoulda-woulda-coulda film. It was inspired by the true story of a John Lennon letter acquired by a musician 40 years after he was suppose to to have received it, and then re-imagined as a cheap soap opera, punctuated by far superior John Lennon songs.

Bigger Not Better ‘Alexander and the Terrible, Horrible, No Good, Very Bad Day’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – This is what happens when a beloved book gets sucked into the big Hollywood studio machine and gets all the endearing qualities – plus its heart and soul – sucked right out of it. “Alexander and the Terrible, Horrible, No Good, Very Bad Day” is a terrible, horrible, no good, very bad movie. It goes from Alexander getting gum stuck in his hair and his mom buying him the wrong kind of sneakers to Steve Carell doing sake bombs in a Japanese steak house on a job interview and catching a pirate shirt he’s wearing on fire.

‘Draft Day’ is Daft, Except as an NFL Infomercial

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Kevin Costner has defined a career in sports-themed movies. From the Iowa farmer building a baseball diamond in “Field of Dreams,” to “Bull Durham,” to “For the Love of the Game,” he exemplified game day heroics. Yet being an NFL executive in “Draft Day” isn’t quite as exciting.

‘Dallas Buyers Club’ is Highly Romanticized Yet Effective

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Matthew McConaughey’s performance as a 1980s-era HIV positive man in the drama “Dallas Buyers Club” is a gangbusters piece of acting. However, some highly exaggerated characters and soft soaping of reality creates a more gauzy romance of the situation than true grit.

‘The Odd Life of Timothy Green’ Misses Emotional Connection

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Peter Hedges’ “The Odd Life of Timothy Green” has a warm, gooey center that’s admirable in a family movie way but what’s around it can’t hold together as the lack of focus in the narrative and the rather grating performance from the young man playing its title character causes it to annoy more than entertain.

Russell Brand Tries Too Hard in Lame ‘Arthur’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – There are many problems inherent in film remakes, starting with comparisons to the original source. The first “Arthur,” while not a classic, did have a warm, funny story and Dudley Moore’s title performance. The current remake has none of that.

Matthew McConaughey’s ‘Ghosts of Girlfriends Past’ Overdone, But Relatable

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Ghosts of Girlfriends Past” is the cinematic blending of two familiar formulas: the “love, lose and then love again” framework of most romantic comedies with the idea of transforming ghosts from the classic “A Christmas Carol”. The result: an overdone yet relatable story of a man coming to terms with his true desires.

‘Juno’ the First LiveJournal, Blogger Film; Writer Diablo Cody a Standout Star

HollywoodChicago.com Oscarman rating: 4.5/5AUSTIN, Texas – No one says anything plainly in “Juno”. Hyper clever, hyper literate and hyper pop savvy, it tells a light story of teenage pregnancy in a package of verbose middle classiness.

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  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.

  • Black White Love Play

    CHICAGO – The love story of a prominent Chicago celebrity couple becomes the basis for a metaphoric and tuneful celebration about courage and coming together. “The Black White Love Play: The Story of Chaz & Roger Ebert” – written and directed by Black Ensemble Theater’s Jackie Taylor – portrays the film critic and the civil rights lawyer in their time, but also creates an atmosphere of emotion through song, sorrow and jubilation.


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