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Jeff Daniels

Stunning, Creative Vision of ‘Looper’ with Joseph Gordon-Levitt

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – It’s so refreshing to see a talented filmmaker that has been allowed to bring his unique vision to the screen without compromise. You know the feeling when you’re watching a product of a marketing focus group or producer interference and when you’re seeing something fresh, new, and personal.

‘Away We Go’ From Sam Mendes a Slightly Bumpy Trip Worth Taking

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Has life always been this difficult? Doesn’t anybody ever stay together anymore? Have the pressures of modern times turned the majority of us into screw-ups?

“Away We Go” is a chronicle of couple – Burt and Verona (John Krasinski of NBC’s “The Office” and Maya Rudolph of “Saturday Night Live”) – attempting to resolve just that.

Russell Crowe, Ben Affleck Bring Spark to Mediocre ‘State of Play’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – I’ll be the first critic to tell you that they don’t make adult thrillers often enough. I was very disappointed by the lackluster box office take of Tony Gilroy’s ” Duplicity”. But does that mean that we should give all intellectual mysteries a pass? Of course not. And while I want to love Kevin Macdonald’s “State of Play,” a few poor decisions during production keep it back from being the excellent film it could have been.

Andy Samberg, Witty Script Lift Animated ‘Space Chimps’ Off Launching Pad

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – So far in the 2008 summer animation season we’ve seen cuddly martial artists (“Kung Fu Panda”) and robots in love (“WALL-E”).

But where are the monkeys and how long before the first joke about flinging their poo?

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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