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James Marsh

‘Shadow Dancer’ with Clive Owen is Tense IRA Thriller

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Would you betray your cause and the rest of your family tree for the safety of your son? Such is the nightmarish question that Collette must answer in James Marsh’s tense, complex “Shadow Dancer,” a slow-burn thriller that may be a bit too slow at times but builds in power by the final reel. It is On Demand now and opens in New York and Los Angeles on Friday, May 31. It’s worth seeking out.

Fascinating ‘Project Nim’ Chronicles Tragic Failure

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Human beings are an egotistical, power-hungry species. There’s simply no way around it. And if you think any differently, watch James Marsh’s “Project Nim,” a documentary about the rampant egotism of man’s manipulation of another species. Even the urge to learn and teach that’s expressed at the beginning of “Project Nim” is just a disguise for control.

Death-Defying Audacity Walks Between the Twin Towers in New Documentary ‘Man on Wire’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Where have all the true eccentrics gone? Where are all those people who achieve a Zen purpose just because the challenge is there?

“Man on Wire” is a documentary that tells of such a challenge 34 years ago in another place and time.

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  • Ride Along with Ice Cube

    CHICAGO – Few figures have had less of an exciting domination of the world than Kevin Hart. In the past few years, the comedian has skyrocketed to leading fixture in the comedy scene, creating hit scripts out of films like “Think Like A Man” and “About Last Night,” while taking victory laps in his lacking stand-up features like “Kevin Hart: Let Me Explain”. The big problem is that these projects don’t justify his comic potential.

  • The King of Comedy

    Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.

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