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Hillary Clinton

Nothing But Fear, Anger in Dinesh D’Souza’s ‘America’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Dear Dinesh D’Souza: Why are you afraid of alternate narratives in American History? History, as we know, is written by the winners, and you seem all sad and angry that one man, Howard Zinn, wrote a History of the United States by defining the desperation of the people left behind in the American dream. Why is that so awful? You define it as “progressive left wing” narrative, but what is your propaganda film – blithely called “America” – but a distillation of your view of history?

Ignoring Old Show-Business Rules, Rolling Stones Brightly ‘Shine a Light’

HollywoodChicago.com Oscarman rating: 3/5CHICAGO – In The Beatles versus The Rolling Stones debate (which no one under 40 would have), I’m decidedly in the corner of the Fab Four. I do acknowledge, however, the sheer stamina and staying power of The Rolling Stones.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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