CHICAGO – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.
CHICAGO – The ensemble cast is decent, the story fits the action/adventure essence of the heist film and one of the hottest music stars of the moment, Tip “T.I.” Harris, has a prominent role. Then why is the new film “Takers” such a seen-it-all-before exercise in action blandness? It feels like a total waste of all those resources.
CHICAGO – As a distinct premise, “Jumper” offers tantalizing possibilities. The ability to transport yourself from one location to another with simple mind control is a cool rule of the world. While the film speaks to some of the far-reaching potential of the power, it also follows story formulas that weaken it.