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Guillermo del Toro

‘Pacific Rim’ is Classic Sci-fi Cult Movie Joy

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Leave it to the wondrous auteur, director Guillermo del Toro, to push the boundaries of giant science fiction epics simply by paying homage to their predecessors. The grand, glorious embrace of “Pacific Rim” leaves no stone of cult film fun unturned.

‘Mama’ is Everything Classic Horror Should Be

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Occasionally, along comes a filmmaker who completely understands what makes a horror film work. “Mama,” the debut of co-writer and director Andy Muschietti, contains creepy children, psychological ramifications, clueless victims and deep mystery. This is both scary and a thriller.

Ineffective ‘Don’t Be Afraid of the Dark’ From Producer Guillermo Del Toro

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Echoing elements of masterful works by Producer Guillermo Del Toro (most notably “The Devil’s Backbone,” “Pan’s Labyrinth”), “Don’t Be Afraid of the Dark” is an incredibly frustrating remake, a film that reminds one of scary movies instead of actually producing scares itself.

Following ‘Pan’s Labyrinth,’ ‘Hellboy II: The Golden Army’ Regresses From Best to Worst For Guillermo del Toro

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Hellboy is plugged as the world’s brawniest, kitten-loving superhero. While that paradox is supposed to be both funny and action packed, “Hellboy II: The Golden Army” from famed writer and director Guillermo del Toro falls flat on the funny front and instead winds up on the funny farm.

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  • The Projects

    CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”

  • Gambler, The 2

    CHICAGO – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.

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