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Gillian Anderson

‘Shadow Dancer’ with Clive Owen is Tense IRA Thriller

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Would you betray your cause and the rest of your family tree for the safety of your son? Such is the nightmarish question that Collette must answer in James Marsh’s tense, complex “Shadow Dancer,” a slow-burn thriller that may be a bit too slow at times but builds in power by the final reel. It is On Demand now and opens in New York and Los Angeles on Friday, May 31. It’s worth seeking out.

Memorable ‘Sister’ Strikes Emotional Chords

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – With a delicacy and melancholy reminiscent of the Dardennes brothers, Ursula Meier’s “Sister,” shortlisted for the Oscar for Best Foreign Language Film and opening tomorrow in Chicago at the Music Box Theatre, is a heartbreakingly effective piece of work about a boy forced to be a man by his circumstance.

No Matter How Hard You Believe Otherwise, ‘The X-Files: I Want to Believe’ Most Anemic Story Yet

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Following an addictive TV series that spanned from 1992 to 2002, I wanted to believe “The X-Files: I Want to Believe” would more dynamically pay homage to its television success than Chris Carter’s first film attempt in 1998. In take two, though, it didn’t happen.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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