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Gillian Anderson

‘Shadow Dancer’ with Clive Owen is Tense IRA Thriller

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Would you betray your cause and the rest of your family tree for the safety of your son? Such is the nightmarish question that Collette must answer in James Marsh’s tense, complex “Shadow Dancer,” a slow-burn thriller that may be a bit too slow at times but builds in power by the final reel. It is On Demand now and opens in New York and Los Angeles on Friday, May 31. It’s worth seeking out.

Memorable ‘Sister’ Strikes Emotional Chords

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – With a delicacy and melancholy reminiscent of the Dardennes brothers, Ursula Meier’s “Sister,” shortlisted for the Oscar for Best Foreign Language Film and opening tomorrow in Chicago at the Music Box Theatre, is a heartbreakingly effective piece of work about a boy forced to be a man by his circumstance.

No Matter How Hard You Believe Otherwise, ‘The X-Files: I Want to Believe’ Most Anemic Story Yet

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Following an addictive TV series that spanned from 1992 to 2002, I wanted to believe “The X-Files: I Want to Believe” would more dynamically pay homage to its television success than Chris Carter’s first film attempt in 1998. In take two, though, it didn’t happen.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Harry Lennix, photo by Joe Arce

    CHICAGO – Mention the name Harry Lennix, and images of his many character roles are bound to emerge – Harold Cooper in the TV series “The Blacklist,” General Swanwick from “Batman v Superman” and Commissioner Blades from Spike Lee’s recent “Chi-Raq.” The deeply knowledgeable Lennix brings his years of dramatic expertise, as he directs the Congo Square Theatre Company’s world premiere stage play “A Small Oak Tree Runs Red.’

  • King and I, The

    CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.

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