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Emma Roberts

Horrible ‘We’re the Millers’ Wastes Huge Potential

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – There was a point in “We’re the Millers” when the story fell off the table like a Slinky from a mountaintop. It’s as if other writers took over from a far superior dark comedy, and injected “heart” and middle age “stripping.” This all adds up to a difficult 110 minutes of lost life time.

Rashida Jones, Andy Samberg in ‘Celeste and Jesse Forever’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Rashida Jones has been a reliable co-star for years in films like “I Love You, Man” and TV shows like “The Office” and “Parks and Recreation” but she gets her most notable role to date in a film she co-wrote, the romantic dramedy “Celeste and Jesse Forever,” opening this weekend in Chicago.

‘The Art of Getting By’ Explores a Teenage Wasteland

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The angst ridden, doom-and-gloom adolescent has been fodder for the movies ever since teenagers were invented. From James Dean to “Heathers,” the juvenile anti-hero trying to figure out life has lit up the screen. Freddie Highmore takes his turn in “The Art of Getting By.”

Wes Craven Returns to Form With Entertaining ‘Scre4m’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Wes Craven’s legendary franchise returns this weekend with a decade since its last installment and to a genre that has been almost entirely bereft of creativity since its director started to lose his prominence as one of its best. Can “Scre4m” rejuvenate the slasher genre like the first film did or will it fall victim to the rule that horror sequels almost always suck?

‘It’s Kind of a Funny Story’ Coasts on the Charm of its Cast

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Though “It’s Kind of a Funny Story” is the third feature film from Ryan Fleck and Anna Boden, it’s the duo’s first picture that feels like it was made by first-time filmmakers. While their previous two features, “Half Nelson” and “Sugar,’ were entrenched in documentary realism and exuded the assurance and nuance of master filmmakers, this latest effort feels oddly programmed for mainstream consumption.

Tan-Skinned ‘Sydney White’ Tragically Lacks Charisma of Fair-Skinned ‘Snow White’

HollywoodChicago.com Oscarman rating: 1/5CHICAGO – I recently tagged “Illegal Tender” as the must-miss movie of the year. I stand corrected. That unconquerable 2007 cake now goes to “Sydney White,” which opened on Friday.

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  • The King of Comedy

    Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

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