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Eddie Redmayne

‘Les Misérables’ Paints Emotion in Widescreen Colors

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Tom Hooper’s “Les Misérables,” the best movie musical in over a decade, is what a musical like this should be – unabashed, unashamed emotion painted in vibrant, broad colors across a massive screen. It is gloriously bereft of the cynicism that has sapped so many stage-to-film adaptations from achieving the heights of their source material and features some of the most striking performances in the history of the genre.

Story Lets Down Chloe Grace Moretz in Stupid ‘Hick’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – It’s understandable that people from the Southern or rural United States would criticize the general media. With films like “Hick,” which generally portray them as idiots or sociopathic, there is no balance or honest characterizations. Chloe Moretz, Blake Lively, Eddie Redmayne and Alec Baldwin add their take on it all.

Michelle Williams is Luminous in ‘My Week With Marilyn’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Bringing the popular culture past back to life in a movie is always a tricky proposition. No matter what, there are always inevitable comparisons to the real thing. They don’t come any more really famous than Marilyn Monroe, and Michelle Williams takes on a portrayal that exemplifies, honors and humanizes the iconic star in “My Week with Marilyn.” 

Julianne Moore Pushes Freudian Implications to Limit in True Story of ‘Savage Grace’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The national acting treasure Julianne Moore never shies away from a performance challenge.

From her memorable exposure in Robert Altman’s “Short Cuts” to her willingness to go all the way in Paul Thomas Anderson’s “Boogie Nights,” Moore has proven that true vulnerability in a role requires the ability to bare – and bear with – all.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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