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Doug Jones

Familiar Spirits Gives New Life to ‘Ouija: Origin of Evil’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Like many of the creatures or villains it inspires, the horror genre has been slowly decaying for years now. In a time of reboots and tired sequels, 2016 has shown us glimpses of future promise by revisiting elements of the past. Flanagan continues this hot streak, one he helped create with “Hush” earlier this year, with the prequel “Ouija: Origin of Evil”.

‘John Dies at the End’ Kills Its Own Creativity

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – You’re at a party. It’s getting late. Chemicals have been ingested, booze has been imbibed, and conversation has been exhausted. You spot an interesting looking fella in the corner and he says he has a story to tell you. Maybe it’s the rush of something different, but the first half hour of that story is fascinating, filled with potential and creative in so many ways.

Following ‘Pan’s Labyrinth,’ ‘Hellboy II: The Golden Army’ Regresses From Best to Worst For Guillermo del Toro

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Hellboy is plugged as the world’s brawniest, kitten-loving superhero. While that paradox is supposed to be both funny and action packed, “Hellboy II: The Golden Army” from famed writer and director Guillermo del Toro falls flat on the funny front and instead winds up on the funny farm.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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