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Diane Lane

Diane Lane Hits the Blacktop in ‘Paris Can Wait’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The cache of “Paris Can Wait” is what immediately makes it attractive. It’s Diane Lane road tripping through France on the way to Paris, guided by the script and direction of Eleanor Coppola, in her narrative film debut (at age 80!). Along the way there is food, seduction, incredible sights and Alec Baldwin. That formula was destined to work.

‘Batman v Superman: Dawn of Justice’ is Both Despairing & Disappointing

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Dang it, DC Comics and Warner Bros.! Two of my favorite comic book characters get dragged through a dull mud in “Batman v Superman: Dawn of Justice.” There is a dawn all right, but instead of the bright sun over the horizon, it’s a full mooning to the fans who anticipated the film.

‘Inside Out’ is a Loving Masterwork of Pixar Animation

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – It starts with the imagination, and the story that comes from that lightning inner creativity. Nobody, it seems, does it better than Pixar Animation, and they are taking it all to a new level. For your consideration, and in a perfect world a candidate for Best Picture, “Inside Out.”

‘Man of Steel’ is Strong, But Not Completely Heroic

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Place the Superman legend into the hands of director Zack Snyder (“Watchmen”) and storyteller/producer Christopher Nolan (“Dark Knight”), and old Supes is bound for a makeover in “Man of Steel.” When it works, it’s adds to a legend’s richness. When it doesn’t, it is less than hero.

‘Man of Steel’ Soars Visually But Lacks Humanity

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – From the CGI-heavy attack on Krypton that opens Zack Snyder’s “Man of Steel” to its soaring finale, I had the same reaction -– where’s the “Man half? Snyder’s attempt to reboot the Superman legacy with the loving assistance of David Goyer and Christopher Nolan of “The Dark Knight” fame gets the superhero part but misses the humanity at the core of this legendary character.

Diane Lane a Champion in Literal Horse Opera ‘Secretariat’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – In real life, we cling to the notion that the inconceivable can happen, that magical probability can penetrate the mendacity of everyday existence, but it rarely if ever happens. That is what makes the new film “Secretariat” so appealing, that 37 years ago the impossible did happen, through the heart of a horse and his believers. Diane Lane and John Malkovich lead the charge.

Diane Lane’s ‘Untraceable’ Plagued With Predictable, Connect-the-Dots Plotline

HollywoodChicago.com Oscarman rating: 2/5CHICAGO – Gregory Hoblit’s “Untraceable” is a predictable thriller that takes us into the masterminds of cybercrime in Portland. Diane Lane plays FBI agent Jennifer Marsh and heads up a cybercrime department that’s chasing an Internet killer.

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  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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