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Diane Keaton

‘Finding Dory’ Essentially Finds Its Sweet Spot

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Pixar’s sequel to its underwater animated tearjerker “Finding Nemo” isn’t quite in the same league, but “Finding Dory” is satisfying all the same. This time the story focuses on Marlin and Nemo’s forgetful friend Dory, as she searches for the family she can’t quite remember.

Script Weakens Cast, Director in ‘And So it Goes’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “And So it Goes” can be summed up in its incredibly weak title, as just lazy hackery. In attempting to tell a story of redemption for a old white rich man, the film falls back on clichés, predictability, improbability, overdone physical comedy and stereotypes. The first-time pairing of Michael Douglas and Diane Keaton, and the direction of old pro Rob Reiner, can’t overcome the stench of the hackneyed screenplay.

Turn Down the Invitation to ‘The Big Wedding’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “The Big Wedding” begins with Robert De Niro performing a particular love making maneuver on Susan Sarandon, and is caught in the act by Diane Keaton. What could have happened in a cutting-edge indie feature in 1981 is the basis of a lame bit in 2013, and so it goes for the rest of the film.

The Dog Days of Diane Keaton in ‘Darling Companion’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “If you want a friend in Washington,” Harry S Truman once said, “get a dog.” The same can be said for the film industry, as they keep producing canine quandaries. Diane Keaton, Kevin Kline, Sam Shepard and Elisabeth Moss cozy up to their own ‘Darling Companion.’

Harrison Ford, Rachel McAdams Charm in ‘Morning Glory’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The Holiday Season for films is populated by epic crowd pleasers and artsy Oscar bait. In between are the warm popcorn movies that don’t attempt to be anything except what they are. Harrison Ford, Rachel McAdams, Diane Keaton and Patrick Wilson illustrate that cinematic point in the appealing and accessible “Morning Glory.”

Star Power Can’t Save ‘Mad Money’ From ‘Thelma & Louise’ Writer Callie Khouri

HollywoodChicago.com Oscarman rating: 2/5CHICAGO – Whenever there’s stunt-movie casting with divergent generations of Hollywood “stars,” there’s bound to be trouble at the multiplex.

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  • ThroatPunch

    CHICAGO – The provocative title of Sharon Krome’s new stage play, “ThroatPunch,” does not contain that particular fight technique. But it does have standout performances by the three person cast, as they make their way in Chicago, circa 1983, amid their emerging twentysomething punk rock attitude. The World Premiere of the show has a Thursday-Sunday run at the Chicago Mosaic School through June 3rd, 2018. Click here for more details, including ticket information.

  • Jesus Christ Superstar, Lyric Opera

    CHICAGO – As a wee lad, I would often go into my parent’s record collection. One day, out of the blue, that brown double album with the gold embossed angels appeared, like a gift from the divine. “Jesus Christ Superstar” began as a record album “rock opera” in 1970, evolved to a Broadway show and film, and then was interpreted through a myriad of stage revivals over the years. The latest is an exciting piece of stagecraft at the Lyric Opera of Chicago. The show has a various evening/matinee run through May 20th, 2018. Click here for more details, including ticket information.

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