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Dennis Quaid

‘Truth’ Exposes the Obstacles in Modern Journalism

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – One of the indications of how the story depicted in “Truth” still resonates was that the CBS Network refused to show advertising for it. The film is a lesson in messing with true power – CBS News went after the ruthless Bush administration during an election year, and they went down.

Frustrating ‘At Any Price’ with Dennis Quaid

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Writer/director Ramin Bahrani is interested not in agendas, special effects, or broad statements. He makes films about characters, including the widely acclaimed “Chop Shop,” “Man Push Cart,” and “Goodbye Solo.” For his latest drama, “At Any Price,” Bahrani expands his canvas, using more household names in his effort to tell a story of the heartland and the corruption and greed that can infiltrate even the most seemingly pure aspects of American life.

Awful ‘Playing for Keeps’ Wastes Talent of Notable Cast

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – When will the movie universe stop lionizing the upper middle class and their “problems” as a standard for storytelling? The idiotic crawl of “Playing for Keeps” is a prime example of that style, a sad exercise in contradictions that pass for narrative. Gerard Butler, Jessica Biel, Dennis Quaid and Catherine Zeta-Jones get punked by the script.

Deadly Dull ‘The Words’ Has Nothing to Say

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – It may seem like easy bait for a critic but the quote whores supplied a dozen or so words for the mysterious ads for the new drama “The Words” and so I’d like to play their little game. I have a few words of my own – “Dull.” “Inert.” “Pretentious.” “Uninteresting.” “Inconsistent.” “Craptastic.” Put those on your ad.

Boredom Awaits During ‘What to Expect When You’re Expecting’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – “Battleship” is getting a lot of flack this week for having little to do with its alleged source. I would argue that the awful “What to Expect When You’re Expecting” is even more dishonest when it comes to its inspiration. Working from an instructional book that’s designed to prepare adults for impending parenthood, the film that steals its title turns truth into cliché.

‘Footloose’ Remake Dances to Its Own Tune

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – If you’re gonna cut loose, “Footloose,” it is best to do what the production team and cast did in cutting this remake of the 1980s kitschy classic – pay deep homage to the source and modify it with a energetic and contemporary spin on the dance floor.

‘Soul Surfer’ Simply Too Bland For True Inspiration

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – In the pantheon of modern girl surfer movies there is “Blue Crush” and…”Blue Crush 2.” “Soul Surfer” is different, it is based on a true story of a tremendous physical loss for a competitive surfer, and her family’s strength in dealing with the crisis. With so much drama, in fact, its surprising that the film is as flavorless as dry toast.

Ellen Page’s ‘Smart People’ Only as Scholarly as Zealous Senior in High School

HollywoodChicago.com Oscarman rating: 2.5/5CHICAGO – I’m flummoxed. I know “Smart People” was supposed to be comedic drama with a splash of romance. Instead, I have been misled. It’s not a comedy. It’s not a tragedy. It’s not even a tragicomedy.

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  • King and I, The

    CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.

  • New Country

    CHICAGO – The Country Music industry has become as huge as any category of music entertainment. So Mark Roberts, the creator of the TV sitcom “Mike & Molly,” has fashioned a boisterous new play about the machinations of that genre of music industry, and gave it the plaintive title of “New Country.”

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