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Cynthia Nixon

Sirens Flash Red For Woody Harrelson in ‘Rampart’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The “thin blue line” is a police term. It represents the designation between the protection the police provides and the anarchy that is on the other side of that protection. The cop that Woody Harrelson portrays in “Rampart” crosses that line repeatably, formulating his own retribution.

One Sequel Too Many For Sarah Jessica Parker, ‘Sex and the City 2’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Sex in the City 2” has very little sex and even less city. That is the least of its sins. This bloated, directionless semi-narrative take the familiar foursome – Sarah Jessica Parker, Kim Cattrall, Cynthia Nixon and Kristin Davis – into unfamiliar geographic territory, but with no dramatic arc there is simply nothing there.

‘Sex and the City: The Movie’ a Frilly University For Understanding the Human Condition

HollywoodChicago.com Oscarman rating: 3.5/5CHICAGO – To its voracious universe of cult-following fans, it feels like a television marathon that spans an entire season. To everyone else who bats an indifferent eye at the religion that is “Sex and the City,” it may surprise you to find that all the glam and glitz has something even for you to learn, too.

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  • [Trans]formation

    CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.

  • Life Sucks

    CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”

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