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Christina Ricci

Robert Pattinson Drains Life From Misguided ‘Bel Ami’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Robert Pattinson is such a divisive actor. While he’s clearly one of the most popular young stars in the world thanks to his work in the “Twilight” films, he has yet to prove to most people that he can really act. While some who have seen David Cronenberg’s upcoming “Cosmopolis” claim that this will be the film that finally allows Pattinson to break out of the franchise that has defined him, we’re stuck with something far lesser for now.

Torturous, Awful ‘Bucky Larson: Born to Be a Star’

HollywoodChicago.com Oscarman rating: 0.5/5.0
Rating: 0.5/5.0

CHICAGO – Adam Sandler lost a bet. How else to explain the existence of “Bucky Larson: Born to Be a Star,” a movie that no one but the man behind Happy Madison would possibly finance? If you took this script (co-written by Little Nicky himself) to any sane film producer, they would assume you were pulling a prank.

Annoyingly Inept ‘After.Life’ Bores Audience to Death

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – “After.Life” is one of the first truly awful films of 2010. Its aggressive solemnity combined with its head-slapping silliness will cause most viewers to simply laugh it off the screen. There’s at least two possible ways to interpret its murky story, and they’re both ludicrous.

‘Speed Racer’ Condemns Franchise Dignity, But Delivers Sensorial Explosion

HollywoodChicago.com Oscarman rating: 2.5/5CHICAGO – While Hollywood slapped “PG” on the hotly anticipated “Speed Racer” to line its pocketbooks with the widest hodgepodge of people (ahem: kids) everywhere, those same kids will leave the theater with that lollipop nearly sucked to the stick but then yanked away with confusion.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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