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Christina Ricci

Robert Pattinson Drains Life From Misguided ‘Bel Ami’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Robert Pattinson is such a divisive actor. While he’s clearly one of the most popular young stars in the world thanks to his work in the “Twilight” films, he has yet to prove to most people that he can really act. While some who have seen David Cronenberg’s upcoming “Cosmopolis” claim that this will be the film that finally allows Pattinson to break out of the franchise that has defined him, we’re stuck with something far lesser for now.

Torturous, Awful ‘Bucky Larson: Born to Be a Star’

HollywoodChicago.com Oscarman rating: 0.5/5.0
Rating: 0.5/5.0

CHICAGO – Adam Sandler lost a bet. How else to explain the existence of “Bucky Larson: Born to Be a Star,” a movie that no one but the man behind Happy Madison would possibly finance? If you took this script (co-written by Little Nicky himself) to any sane film producer, they would assume you were pulling a prank.

Annoyingly Inept ‘After.Life’ Bores Audience to Death

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – “After.Life” is one of the first truly awful films of 2010. Its aggressive solemnity combined with its head-slapping silliness will cause most viewers to simply laugh it off the screen. There’s at least two possible ways to interpret its murky story, and they’re both ludicrous.

‘Speed Racer’ Condemns Franchise Dignity, But Delivers Sensorial Explosion

HollywoodChicago.com Oscarman rating: 2.5/5CHICAGO – While Hollywood slapped “PG” on the hotly anticipated “Speed Racer” to line its pocketbooks with the widest hodgepodge of people (ahem: kids) everywhere, those same kids will leave the theater with that lollipop nearly sucked to the stick but then yanked away with confusion.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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