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Charlotte Rampling

Lars Von Trier’s Mesmerizing ‘Melancholia’ Turns Depression Into Art

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Lars Von Trier’s “Melancholia” is a mesmerizing, haunting portrayal of the world-shattering force of depression from a filmmaker who has first-hand knowledge of the debilitating disease. With career-best work by Kirsten Dunst and some of the most confident filmmaking from its controversial director, this is one of the best films of 2011, a stunningly original examination of that which is completely out of our control.

Tepid Con Job Spoils Sexual Intrigue in ‘Deception’ With Ewan McGregor

HollywoodChicago.com Oscarman rating: 2/5CHICAGO – Despite its timid title, “Deception” has all the right ingredients for a decent tale of mystery: a strong premise, sound acting and the famous femme fatale. It even starts with a promising conviction: How does a background player in life deal with initiation into a secret society?

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  • Spoilers

    CHICAGO – Hulu, in addition to being a most enjoyable word to say while jumping out of a plane (Huluuuuuu!) is also one of the most popular websites on the internet for streaming video from television’s biggest channels. Featuring content from FOX, NBC, ABC, CBS and a litany of other networks, Hulu.com has essentially replaced the re-run in eyes of the American lexicon.

  • The Devil Inside

    CHICAGO – “The Devil Inside” is the kind of film where a character says no two exorcisms are the same and that you never know what’s gonna happen and yet this movie feels EXACTLY the same as so much direct-to-DVD junk and you totally know what’s going to happen at every turn. In fact, the only way to avoid yet another predictable ending for this snooze of a film was for the producers not to provide one. Consider it a spoiler if you haven’t heard the rage already but the non-ending of “The Devil Inside” has been called one of the worst of all time and I can’t disagree. This movie is total dreck and that’s coming from somone who loves an over-the-top possession film more than your average critic.

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