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Cate Blanchett

‘Cinderella’ Finds New Magic in Old Fairy Tale

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – In the years since “Shrek,” the fractured fairy tale has become Hollywood’s default approach. We’ve been treated to so many irreverent and increasingly labored treatments of storybook characters, that Walt Disney Pictures’ new live-action “Cinderella” comes off as relatively fresh by comparison.

Too-Long ‘The Hobbit: The Battle of the Five Armies’ Delivers on Intimate, Hand-to-Hand Combat

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Though he’s never been called it before in scientific speak, I’m saying it now: Peter Jackson is a master of mitosis. He’s one of Hollywood’s best in splitting up the cinematic cellular DNA of one story into three because, apparently, he can’t do epics unless they’re in groups of three.

Heroic, Visually Bold ‘How to Train Your Dragon 2’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “How to Train Your Dragon 2” is spectacular in 3D, the filmmakers actually geared the film to enhance that much maligned vision. It also features a warm and heroic story about the coming-of-age for the character Hiccup, and his now fully trained dragon, Toothless.

‘The Monuments Men’ Has Been Drained of Personality

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

George Clooney’s “The Monuments Men” is processed cheese. It is a film that has been rewritten, edited, and refined until it has lost all sense of purpose or identity. There’s no flavor left. It is a film that defies genre; not quirky enough to have a comedic personality despite a cast that almost always supplies edge and not engaging enough to work as drama or thriller.

‘Blue Jasmine’ Puts Woody Allen Back on Top

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The auteur Woody Allen is one of the most prolific post-studio-system directors, averaging one film a year for close to 40 years. His meditations on life have become part of the culture, and he brilliantly expresses himself once again – with help from Cate Blachett – in the emotional “Blue Jasmine.”

Saoirse Ronan Rocks in Joe Wright’s Riveting ‘Hanna’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – You won’t be able to take your eyes of Saoirse Ronan in Joe Wright’s action film “Hanna,” a visceral thrill ride that’s likely to be a more satisfying experience than most of the action blockbusters that will fill the multiplex as the temperatures rise. With an A-list cast and incredible production values, “Hanna” is a speeding train. Hop on and hold on tight.

Russell Crowe, Cate Blanchett Forge an Epic Adventure in ‘Robin Hood’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “T’wang!” is the the sound of an archer’s arrow going right into the center of the summer movie kick-off season. Director Ridley Scott, Cate Blanchett, Max Von Sydow, William Hurt, Mark Strong, Oscar Isaac and Russell Crowe – in the title role of “Robin Hood” – offer a compelling story, plenty of action and an epic quality to the oft-told legend.

After 19 Years, ‘Indiana Jones and the Kingdom of the Crystal Skull’ Phenomenally Exhumes Venerated Roots

HollywoodChicago.com Oscarman rating: 4.5/5CHICAGO – After such a long respite from the beloved film progression, I was initially just as skittish about seeing Harrison Ford back in the Indy saddle as I was watching Sylvester Stallone back in the ring in “Rocky Balboa” in his 2006 comeback and then again in 2008 in his “Rambo” return.

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  • The Projects

    CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”

  • Gambler, The 2

    CHICAGO – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.

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