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Carla Gugino

‘San Andreas’ Loads Its Story with Too Many Faults

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The best way, perhaps the only way, to enjoy the disaster movie “San Andreas” is to check your brain at the door, or better yet leave it at home for safekeeping. Bringing new meaning to the term mindless entertainment, “San Andreas” dares its audience to turn off their minds, and enjoy the ride.

Terribly Scripted ‘San Andreas’ With Dwayne Johnson a Heartless Special Effects Spectacle

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – When the story is as weak as the film’s fault lines and the character development never develops, the problem with blowing $100 million mostly on special effects is all you’re left with is unintelligent disaster porn.

Nature is Abused By Jim Carrey in ‘Mr Popper’s Penguins’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Pity the poor penguin making pictures. Their wings cannot fly, they have no script approval or agents, just a trainer bribing them with food to hit the mark. Their presence, their cuteness, even their flightlessness are exploited for a dreadful Jim Carrey film called “Mr Popper’s Penguins.” Somebody call PETA.

‘Sucker Punch’ Has Dazzling Imagery, Comic Book Wham-Bam

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – It’s a pleasure to see the comic book film done right, especially with the visionary guidance of director Zach Snyder (”300”). “Sucker Punch” is an amazing treat, a feast of eye candy and incredible adventure.

‘Elektra Luxx’ Offers Middling Showcase For Carla Gugino

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Sebastian Gutierrez is the sort of filmmaker who thrives best on the festival circuit. His work is just quirky and distinctive enough to garner overenthusiastic praise from jaded festival goers in the mood for markedly lighter fare. Yet when screened out of the celebratory atmosphere at SXSW, Gutierrez’s films fail to register as anything more than mediocre trifles.

Dwayne Johnson, Billy Bob Thornton Are Redemptive in ‘Faster’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The Action Film is getting a bit creaky, relying more on computer generated eye candy than character or plot. It is refreshing to experience a film like “Faster,” featuring Dwayne Johnson and Billy Bob Thornton, because it is an action film that means something, and puts its inhabitants on a path to their own salvation.

Zack Snyder Turns ‘Watchmen’ Into Loud, Disjointed, Brutal Mess

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – For years, fans of Alan Moore and Dave Gibbon’s masterful and influential “Watchmen” have been waiting for a filmmaker willing to faithfully and slavishly adapt their favorite graphic novel. Well, we got what we wanted in Zack Snyder’s frame-copying vision of this legendary book, but as someone once said - You should be careful what you ask for because you just might get it.

David S. Goyer’s ‘The Unborn’ is Unoriginal, Uninspiring Mess

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Odette Yustman stars in David S. Goyer’s “The Unborn,” a poorly conceived and produced horror movie that could have just as easily been called “The Un-scary,” “The Uninspiring,” “The Unoriginal,” or “The Unexciting”. Whatever you do, just un-plan to see it this weekend.

Like a Bad ‘Law & Order,’ ‘Righteous Kill’ With Al Pacino, Robert De Niro Lacks ‘Heat’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Last fall, Francis Ford Coppola made the comment that Al Pacino and Robert De Niro (along with Jack Nicholson) had lost their ambition. Coppola essentially said they have been phoning in their performances and picking safer movies. “Righteous Kill” could be the case study to that argument.

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  • [Trans]formation

    CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.

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