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Joseph Gordon-Levitt, Seth Rogen in Moving ‘50/50’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Jonathan Levine’s “50/50” is a daring blend of buddy comedy, light romance, family drama, and, oh yeah, cancer movie. The tightrope act of a script by Will Reiser is elevated in remarkable ways by one of the best ensembles of the year, led ably by the great Joseph Gordon-Levitt, doing career-best, Oscar nomination-worthy work.

Emma Stone, Viola Davis Lend a Hand to ‘The Help’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Using fiction to express the importance of real historical events is seductive and sometimes disingenuous. The new film “The Help” manages to counteract that notion through high level, emotional performances.

Clint Eastwood, Matt Damon Deliver Poignant ‘Hereafter’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Clint Eastwood’s “Hereafter” is a dramatic examination of a subject rarely dealt with in American cinema with even an ounce of honest emotion: What happens after we die.

New Director Finds Teeth in ‘The Twilight Saga: Eclipse’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Easily the best entry in the franchise, “The Twilight Saga: Eclipse,” finally allows those of us unfamiliar with the books by Stephenie Meyer to understand why the saga of the vampire, the wolf, and the sullen girl in the middle has become an international phenomenon.

Tobey Maguire ‘Black’ in Action in Venomously Conflicted ‘Spider-Man 3’

Rating: 3.5/5CHICAGO – At the heart of every great film is a good conflict. In Spidey’s third advent, his heart is venomously conflicted and so is the film.

The film gets gargantuan props on its special effects. Of course, the entertaining visual acuity is expected and is no surprise.


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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Jack Reacher with Tom Cruise

    CHICAGO – “Jack Reacher” doesn’t work as an action movie. However, if you approach the mannered dialogue and dark storytelling as a noir, which is what I believe the writer and director (if not the marketing team at Paramount) intended, then there’s a lot to like here. It’s a stylized, slick, well-made ride with some crackling dialogue, charismatic performances, and heavy doses of style.

  • Safe Haven

    CHICAGO – At its best, Lasse Hallstrom’s “Safe Haven,” based on the book by the insanely popular Nicholas Sparks, is merely safe, Lifetime Channel TV Movie junk. At its worst, it’s pretty offensive and exploitative of women actually stuck in abusive situations and men forced into single parenthood after losing a spouse. As he has done before, Sparks takes real-world issues and turns them into manipulative devices. Hallstrom (“Chocolat”) has enough filmmaking skill to keep it from getting too boring despite the attempts on the part of the two remarkably dull leads to put you to sleep.

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