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Bryce Dallas Howard

Joseph Gordon-Levitt, Seth Rogen in Moving ‘50/50’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Jonathan Levine’s “50/50” is a daring blend of buddy comedy, light romance, family drama, and, oh yeah, cancer movie. The tightrope act of a script by Will Reiser is elevated in remarkable ways by one of the best ensembles of the year, led ably by the great Joseph Gordon-Levitt, doing career-best, Oscar nomination-worthy work.

Emma Stone, Viola Davis Lend a Hand to ‘The Help’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Using fiction to express the importance of real historical events is seductive and sometimes disingenuous. The new film “The Help” manages to counteract that notion through high level, emotional performances.

Clint Eastwood, Matt Damon Deliver Poignant ‘Hereafter’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Clint Eastwood’s “Hereafter” is a dramatic examination of a subject rarely dealt with in American cinema with even an ounce of honest emotion: What happens after we die.

New Director Finds Teeth in ‘The Twilight Saga: Eclipse’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Easily the best entry in the franchise, “The Twilight Saga: Eclipse,” finally allows those of us unfamiliar with the books by Stephenie Meyer to understand why the saga of the vampire, the wolf, and the sullen girl in the middle has become an international phenomenon.

Tobey Maguire ‘Black’ in Action in Venomously Conflicted ‘Spider-Man 3’

Rating: 3.5/5CHICAGO – At the heart of every great film is a good conflict. In Spidey’s third advent, his heart is venomously conflicted and so is the film.

The film gets gargantuan props on its special effects. Of course, the entertaining visual acuity is expected and is no surprise.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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