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Boogie Nights

Stunning Ambition Drives P.T. Anderson’s ‘The Master’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Paul Thomas Anderson’s “The Master” screened publicly last week in Chicago for only the second time in the world. It was shown in glorious 70mm, the format in which the film was shot, but in which most people will never get the chance to see it. While much of the conversation surrounding the screening seemed to hinge around the technical specifications, the increasing dearth of actual film projectors in the city, or the aspects of the plot related to Scientology, those aren’t the elements of the film that have been rolling around my head for the last four days.

Julianne Moore Pushes Freudian Implications to Limit in True Story of ‘Savage Grace’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The national acting treasure Julianne Moore never shies away from a performance challenge.

From her memorable exposure in Robert Altman’s “Short Cuts” to her willingness to go all the way in Paul Thomas Anderson’s “Boogie Nights,” Moore has proven that true vulnerability in a role requires the ability to bare – and bear with – all.

‘Deal’ is No Big Deal as Career of Burt Reynolds Fades Away

HollywoodChicago.com Oscarman rating: 1/5CHICAGO – Poor Burt Reynolds. As the No. 1 box-office star from 1978 to 1982, he revived his film career in 1997 with “Boogie Nights”. Since then, he has had the long, slow decline of “B” movies and bad remakes. Reynolds even tainted his own legacy by participating in the horrible 2005 redo of “The Longest Yard”.

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