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Anthony Hopkins

Daring Vision of Darren Aronofsky’s Epic ‘Noah’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

Darren Aronofsky’s controversial “Noah” exists somewhere between the sentimental, straight-faced versions of biblical tales that Hollywood has been producing for decades and more auteur-driven fare like Martin Scorsese’s “The Last Temptation of Christ”.

Forced ‘Thor: The Dark World’ Sequel Lacks Passion, Sci-Fi Basis

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – For me and the subculture as a whole, so much of science fiction came from “Star Trek”. If creator Gene Roddenberry were alive today to witness “Thor: The Dark World,” he’d tell it to focus on being a superhero film rather than failing to dabble in science fiction.

‘Thor: The Dark World’ is Little More Than Marketing For ‘The Avengers 2’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Few major films have felt less creatively inspired and more commercially conceived than Alan Taylor’s dull “Thor: The Dark World,” a wannabe blockbuster with all the personality and ingenuity of a straight-to-DVD sequel. It is a film that simply fades into the background of other films, both already produced and still-to-come.

Despite Flopping as a Comic Book Movie, ‘Red 2’ Coasts By with Well-Written Characters

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – If you didn’t see the DC Entertainment splash screen when this “Red 2” sequel kicks off with the fake death of one of its usual suspects, you wouldn’t mind that the rest of the film feels nothing like a comic book movie except for its animated transitions between scenes.

‘Hitchcock’ at its Heart is a Relationship Film

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The great director Alfred Hitchcock had morphed to legend rather than a man, so it’s interesting that two films have recently been released about his all-too-human foibles. The feature film, starring Sir Anthony Hopkins as the director, gets inside the man’s relationships in “Hitchcock.”

Despite Loveless Love Story, ‘Thor’ Deserves Your Popcorn-Flick Dollar

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – When big-budget films set their sights on being the next Hollywood blockbuster, they’re almost always built on a formulaic groundwork of proven ingredients. While these films often lose points for much of the same and little of the new, plunking a mighty $150 million into the production “Thor” has found a way to be both formulaic and successful.

‘City of Your Final Destination’ Isn’t Worth a Visit

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Although “City of Your Final Destination” is not the latest installment of the Rube Goldberg-inspired splatter series, it does seem to be populated with the walking dead. The only similarity shared between the “Final Destination” franchise and this picturesque drama is an overwhelming abundance of tedium, generated by a plot that often seems as stagnant as its listless characters.

‘The Wolfman’ With Benicio Del Toro Misses By a Hair

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Joe Johnston’s “The Wolfman” nearly works. The Benicio Del Toro vehicle has a strong supporting cast, a few striking visual compositions, and at least one must-see sequence, but it misses the mark as a complete film, never quite as compelling or entertaining as it could or should have been.

‘Beowulf’ in IMAX 3D Affords Break For Big Actors to Improve Even Themselves

HollywoodChicago.com Oscarman rating: 4/5CHICAGO – It’s all the rave today to exhume an epic from long, long ago and bring it back on the monster screen bigger, better and with more grandeur than ever fathomable before.

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  • The King of Comedy

    Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

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