Amy Adams

Rating: 4.5/5.0

CHICAGO – The Muppets stand on such a pedestal for an entire generation that there was an understandable amount of trepidation when it was announced that Jason Segel and Disney were moving forward with a reboot. How could it possibly live up to our expectations? Would they turn Kermit, Fozzie, and Miss Piggy into commercial commodities like “The Smurfs” and “Alvin and the Chipmunks”?

Rating: 4.0/5.0

CHICAGO – David O. Russell’s “The Fighter” is an old-fashioned crowd-pleaser with one of the strongest ensembles of 2010 and the kind of underdog story that’s easy for an audience to embrace and adore. “The Fighter” will have thousands of hardcore fans, people who watch it every time it’s on cable and give it as gifts to their husband, father, or brother.

Rating: 3.5/5.0

CHICAGO – Like a long meal at a good restaurant where no one can agree on the best course of the evening, Nora Ephron’s “Julie & Julia” with Amy Adams and Meryl Streep will have different highlights for different viewers.

Rating: 2.0/5.0

CHICAGO – The sequel “Night at the Museum: Battle of the Smithsonian” is, presumably, an effort by director Shawn Levy (“Night at the Museum” in 2006 and “The Pink Panther”) and writers Robert Ben Garant and Thomas Lennon (who both wrote the first film) to weave together an exciting and educational film.

Rating: 3.5/5.0

CHICAGO – Amy Adams gives a performance in Christine Jeffs’ “Sunshine Cleaning” that is not only the best actress turn of the year to date but nearly single-handedly makes the many flaws of this quirky comedy easy to overlook. It’s rare, but sometimes one talented star can make any project shine. Amy Adams is that talented.

Rating: 4.0/5.0

CHICAGO – The inherit drama of a Catholic priest accused of molesting an African American boy during the 1960s would be enough to make for an interesting film on its own. In “Doubt,” this is one of the less-explored themes writer and director John Patrick Shanley examines.

CHICAGO – Character comedies that actually have some depth and fun are as rare as boobs without silicone in Hollywood. “Miss Pettigrew Lives For a Day” reaches these heights with a sensibility of an old studio picture with stylized glamour, lovable rogues and at the center the great Frances McDormand as the title character taking a chance in 24 sparkling and event-filled hours.