Amy Adams

Deliver a Letter! On-Air Review of ‘Dear Evan Hansen’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on September 23rd, 2021, reviewing the new movie musical “Dear Evan Hansen” – featuring Ben Platt in the title role – in theaters beginning September 24th.

'The Woman in the Window' Offers a Muddled Yet Entertaining View

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – People in waste management have a mantra that seems to have been awkwardly adopted by the film industry: Reduce, Reuse, Recycle. In the film industry’s case, ‘reduce’ doesn’t mean to create less waste, but to reduce the amount of money spent taking a chance on original content.

‘Vice’ Proves It’s Okay to Laugh at Dick Cheney

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “Vice” is an occasionally very funny attempt to demystify the life and legacy of former Vice President of the United States, Dick Cheney. Using some of the same gimmicks and narrative trickery he employed to great effect in “The Big Short,” writer/director Adam McKay goes deep into the weeds to try to explain how Cheney made it to the second highest office in the land.

Up Up & Away for ‘Justice League’ From DC Comics

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – In the America of truth, justice and comic book movies, the DC brand – featuring hero icons Superman, Batman and Wonder Woman – has lagged behind their rivals at Marvel Studios. “Justice League” fills that gap admirably, after the slam-bam summer of Wonder Woman.

‘Nocturnal Animals’ Takes Two Stories to New Levels

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Reality and fantasy have separate rules, and in fantasy there are no rules. This is the philosophy of “Nocturnal Animals,” a wild character study that exists on the reality/fantasy planes. And it has the bonus of the Amy Adams/Isla Fisher mix-up and Jake Gyllenhaal at his Gyllenhaal-iest.

Science of the Human Condition Makes an ‘Arrival’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The film genre of aliens from other planets is as old as the movies. But it hasn’t been told as boldly and humanely as the new film “Arrival.” Its theme is communication, and how this interaction relates to the concept of the life cycle. Yes, it’s lofty, but it is also edge-of-the-seat engaging.

‘Batman v Superman: Dawn of Justice’ is Both Despairing & Disappointing

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Dang it, DC Comics and Warner Bros.! Two of my favorite comic book characters get dragged through a dull mud in “Batman v Superman: Dawn of Justice.” There is a dawn all right, but instead of the bright sun over the horizon, it’s a full mooning to the fans who anticipated the film.

‘Big Eyes’ Too Conventional to Generate Any Interest

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – What’s up with Tim Burton? His style is hardly present in the straightforward story of artists Margaret and Walter Keane, locked in a battle of creation over “Big Eyes” child paintings. There is nothing revelatory or even interesting in the process of their struggle of who-painted-what, maybe perhaps Burton – a collector of the art – wants to increase their value?

Spike Jonze’s ‘Her’ is Masterful Commentary on Connection

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

How do we connect with other people? Why do we often push away those we need and stay with those we don’t? Why do we hold on to relationships long after they have stopped working? Is a physical relationship with no intellectual or emotional component somehow more valuable than one that can never be person-to-person but engages on a deeper level? And how do the ways we deal with love and loss impact the way we look at the rest of the world?

Great Performances Drive Entertaining ‘American Hustle’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

As career con man Irving Rosenfeld (Christian Bale) introduces newly-undercover FBI agent Richie DiMaso (Bradley Cooper) to his world of criminal enterprise, he shows him a Rembrandt painting in a museum, revealing that it’s a fake. Millions of people have seen and admired it, not realizing that it’s not the original. Does it matter if they get the same artistic enjoyment out of it?

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