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American Pie

‘American Reunion’ is Tasteless, Stale Piece of Comedy Pie

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “American Reunion” is not unlike the event from which it takes its title. Some of it rekindles memories of what worked in the past in a nostalgic, even sweet way. Some of it reminds one what they liked about these people in the first place. Some of it is just sad. Ultimately, it’s too inconsistent a movie to recommend in any way even if Seann William Scott and Eugene Levy pull every weapon from their comedy arsenals to try and save it. It’s a stale piece of pie.

Robert De Niro Triumphs Again in ‘Being Flynn’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The intensity that Robert De Niro puts into his movie characters had slackened a bit, as he bent his reputation on more commercial roles. But Director Paul Weitz has revived the old legend with a meaty, purposeful character, and De Niro delivers it with his old fire. ‘Being Flynn’ is not a comeback, but a gratefully received reboot.

‘Deal’ is No Big Deal as Career of Burt Reynolds Fades Away

HollywoodChicago.com Oscarman rating: 1/5CHICAGO – Poor Burt Reynolds. As the No. 1 box-office star from 1978 to 1982, he revived his film career in 1997 with “Boogie Nights”. Since then, he has had the long, slow decline of “B” movies and bad remakes. Reynolds even tainted his own legacy by participating in the horrible 2005 redo of “The Longest Yard”.

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  • Punk Punk

    CHICAGO – For theater that is audaciously in-the-now and generates a sparkle of life, there are few better storefront (garage, gothic gathering place) groups than “Nothing Without a Company.” Their latest, eclectic kick-in-the-head production is the intensely diverting and weirdly fun “Punk Punk.”

  • Assassination Theater

    CHICAGO – There are two dates in modern American History that ring in the heads of certain generations. Of course, there is September 11th, 2001, but the granddaddy of that date is November 22nd, 1963. That is when an American president, John F. Kennedy, was shot point blank in the head and killed on the street of an American city. The official proclamation from the government is that a lone assassin, Lee Harvey Oswald, fired those shots. In a new Chicago play, “Assassination Theater,” subtitled “Chicago’s Role in the Crime of the Century,” the jury is still decidedly out.


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