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American Pie

‘American Reunion’ is Tasteless, Stale Piece of Comedy Pie

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “American Reunion” is not unlike the event from which it takes its title. Some of it rekindles memories of what worked in the past in a nostalgic, even sweet way. Some of it reminds one what they liked about these people in the first place. Some of it is just sad. Ultimately, it’s too inconsistent a movie to recommend in any way even if Seann William Scott and Eugene Levy pull every weapon from their comedy arsenals to try and save it. It’s a stale piece of pie.

Robert De Niro Triumphs Again in ‘Being Flynn’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The intensity that Robert De Niro puts into his movie characters had slackened a bit, as he bent his reputation on more commercial roles. But Director Paul Weitz has revived the old legend with a meaty, purposeful character, and De Niro delivers it with his old fire. ‘Being Flynn’ is not a comeback, but a gratefully received reboot.

‘Deal’ is No Big Deal as Career of Burt Reynolds Fades Away

HollywoodChicago.com Oscarman rating: 1/5CHICAGO – Poor Burt Reynolds. As the No. 1 box-office star from 1978 to 1982, he revived his film career in 1997 with “Boogie Nights”. Since then, he has had the long, slow decline of “B” movies and bad remakes. Reynolds even tainted his own legacy by participating in the horrible 2005 redo of “The Longest Yard”.

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  • Knick, The

    CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?

  • Transcendence

    CHICAGO – The Internet is for real in “Transcendence”, a B-movie with grade-A production quality, loaded with terabyte-size open-ended questions, so long as one can accept it lastly with a scientific mindset. It is a film that perceives technology to be more expansive than a box of wires and computer chips, and actualizes the expanse of the internet as limitless to the realm of spiritual.

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