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Amber Heard

Nichely Entertaining ‘Magic Mike XXL’ a Substanceless Soft Porn

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – You know those amateur porns with no-name actors that use cheesy dialogue in between the sex scenes those viewers simply want? You never expect a real story or actually developed characters because it’s a collection of sex scenes. It’s not a real, you know, movie.

Stereotypical ‘3 Days to Kill’ Tonally Uneven

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – As a director, Kevin Costner comes across as a patient guy who waits for the right material to come along. Considering the last movie he helmed is a little over ten years old (“Open Range”), one might also consider him picky too. As an actor, it feels like Costner woke up one recent morning and thought, “Hey, I should do a handful of movies in a row. I’m not getting any younger!”

‘Machete Kills’ So Over the Top, it Has No Bottom

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – You gotta love director Robert Rodriguez. When other filmmakers are slogging through their important films, he’s out convincing big stars to blow off cinematic fireworks, giggling all the time. The excess is the thing, more so and more so, in his new film “Machete Kills.”

Lazy, Horrendous ‘Paranoia’ Wastes Talented Cast

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Much like 2011’s silly “Abduction” with Taylor Lautner, the title of “Paranoia” isn’t exactly accurate. Just as that previous film wasn’t really about an abduction, paranoia is only a minor aspect of Robert Luketic’s new thriller. It’s more about corporate intrigue, theft, intellectual property, and fear.

Johnny Depp is On, Story is Off in ‘The Rum Diary’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Johnny Depp has a Hunter S. Thompson obsession, that is career apparent. After playing the journalist’s alter-ego Raoul Duke in “Fear and Loathing in Las Vegas,” Depp gives a turn as Hunter’s younger self in a film based on Thompson’s 1998 novel, “The Rum Diary.”

John Carpenter Returns With Mediocre ‘The Ward’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – John Carpenter’s “The Ward” would make for a satisfying episode of the now-canceled “Masters of Horror” and might therefore be an interesting rental someday but it doesn’t live up to the pedigree of its once-brilliant director and ultimately disappoints regardless of the name above the title.

Life's a Grind For Nicolas Cage in ‘Drive Angry 3D’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Muscle cars, kick-ass dudes and foxy ladies have been staples of the grindhouse since Detroit had a pulse. Nicolas Cage joins that parade in the over-the-top road picture called “Drive Angry 3D,” lest we mistake it for the 2nd dimension.

David Duchovny, Demi Moore Can’t Keep Up With ‘The Joneses’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Introduced with one of the easier movie pundit headlines ever, “The Joneses” indeed cannot keep up with itself, despite a sharp script and the plausible efforts of David Duchovny and Demi Moore.

God’s Vajoojoo Tastes Like Semi-Glorious ‘Pineapple Express’ in Judd Apatow, Seth Rogen Stoner Film

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – If god had a vajoojoo, Judd Apatow and company think it’d taste something like smoking “Pineapple Express”. There’s no question “Pineapple Express” is ultimately a stoner film, but is it the ultimate stoner film of our decade?

Always the most difficult proposition in a comedy is maintaining its comedic pacing with consistency.

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  • Lori Petty, photo by Joe Arce

    CHICAGO – Lori Petty will never be predictable, nor put into some show business box. The free-wheelin’ Ms. P applies her expansive performance skills to the role of Lolly – a guest spot that turned into a recurring character – on Netflix’s hot series “Orange is the New Black,” which released its third season on June 12th, 2015.

  • The Projects

    CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”

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