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Alfred Hitchcock

‘Hitchcock’ at its Heart is a Relationship Film

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The great director Alfred Hitchcock had morphed to legend rather than a man, so it’s interesting that two films have recently been released about his all-too-human foibles. The feature film, starring Sir Anthony Hopkins as the director, gets inside the man’s relationships in “Hitchcock.”

Liam Neeson Fails to Find Missing Identity of ‘Unknown’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Unknown,” the latest thriller to attempt to turn Liam Neeson into an unusual choice for an action star (a la “Taken” and “The A-Team”), is one of those films that nearly works but falls just short of its audience’s expectations.

Russell Crowe Goes Hitchcockian in Taut ‘The Next Three Days’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The suspense thriller is a delicate art that depends on situational realism and unlikely circumstances cohabiting in a heart-pounding plot. The Master of the genre was Alfred Hitchcock, who often put ordinary people in these nail biting scenarios. Director Paul Haggis (”Crash”) uses this theme and does the Master proud in “The Next Three Days.”

Akin to ‘Match Point,’ Woody Allen’s ‘Cassandra’s Dream’ Expressly Hitchcockian

HollywoodChicago.com Oscarman rating: 3.5/5CHICAGO – Woody Allen – the most prolific American writer/director of the last quarter century – has a desire for a particular expression in this last part of his epic career.

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  • The Projects

    CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”

  • Gambler, The 2

    CHICAGO – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.

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