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Alfred Hitchcock

Liam Neeson Fails to Find Missing Identity of ‘Unknown’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Unknown,” the latest thriller to attempt to turn Liam Neeson into an unusual choice for an action star (a la “Taken” and “The A-Team”), is one of those films that nearly works but falls just short of its audience’s expectations.

Russell Crowe Goes Hitchcockian in Taut ‘The Next Three Days’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The suspense thriller is a delicate art that depends on situational realism and unlikely circumstances cohabiting in a heart-pounding plot. The Master of the genre was Alfred Hitchcock, who often put ordinary people in these nail biting scenarios. Director Paul Haggis (”Crash”) uses this theme and does the Master proud in “The Next Three Days.”

Akin to ‘Match Point,’ Woody Allen’s ‘Cassandra’s Dream’ Expressly Hitchcockian

HollywoodChicago.com Oscarman rating: 3.5/5CHICAGO – Woody Allen – the most prolific American writer/director of the last quarter century – has a desire for a particular expression in this last part of his epic career.

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  • Chronicle with Dane DeHaan

    CHICAGO – With great power comes great responsibility. Since the invention of the written word, authors have been playing with the idea that power leads to problems as it is man’s inherent nature to use that power to satisfy his own needs. Superhero fiction is based on it (good guys use their power for good, villains use it for evil). A lot of sci-fi is based on it. And the smash hit “Chronicle” (over $120 million worldwide with 10% of that as its budget), recently released on DVD and Blu-ray, cleverly plays with these themes in a way that feels new. The DVD offers nothing notable in terms of special features so one should probably expect a special edition to be released to coincide with the in-production “Chronicle 2.”

  • The Vow with Rachel McAdams and Channing Tatum

    CHICAGO – I feel like a bit of a confession is necessary to frame my opinion of the truly awful “The Vow.” Lest you think this is just some cynical male critic, I like “The Notebook” and “The Lake House.” I even kind of like “Dear John” and didn’t hate “The Time Traveler’s Wife.” Yes, I’m a cheeseball when the cheese is well-done. I wanted to like “The Vow.” There’s nothing to like here unless you find taking talented, charming actors and making them deadly dull likeable.

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