Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 50 pairs of advance-screening passes up for grabs to the highly anticipated new drama “Labor Day” starring Kate Winslet and Josh Brolin!
CHICAGO – Instead of trying to fill giant shoes in the shadows of his legendary filmmaker father Ivan Reitman (“Ghostbusters”), Jason Reitman has been successfully blazing his own path of films without message that are designed to incite your thoughts and question your actions.
CHICAGO – Mavis Gary (Charlize Theron) isn’t a girl you’d Facebook like. She’s got one too many dark passengers, she’s a repugnant drunk, she likes too much pink, her white dog is too puffy and most would consider it less than Usher cool that she’s throwing herself at a married man she couldn’t bag back in high school. Or is she? And is Mavis so different than you?
CHICAGO – In our latest dramedy edition of HollywoodChicago.com Hookup: Film, we have 50 admit-two movie passes up for grabs to the advance Chicago screening of “Young Adult” from the director of “Up in the Air” (Jason Reitman) and the writer of “Juno” (Diablo Cody) starring Charlize Theron and Patrick Wilson!
CHICAGO – If you’re not familiar with the name J.K. Simmons, you almost certainly know his face or maybe even just his voice. From “Oz” to “Juno” to “The Closer” to “Portal 2” and even the M&Ms commercials, the very-talented actor has been everywhere in the last few decades. The great character actor recently took time out of his busy schedule to give a call to HollywoodChicago.com on the eve of the release of his excellent drama “The Music Never Stopped” on DVD.
CHICAGO – I’ve said for two seasons now that Showtime’s “United States of Tara” isn’t as good as it should be, partially because the writing and parts of the ensemble don’t live up to the Emmy-winning work by its stunningly talented star, Toni Collette, but I might have been wrong. The start of season three, debuting tonight, Mar. 28th, 2011 on Showtime, hints at a broader program with a deeper ensemble, but I’m not sure any more that this is a good thing.
CHICAGO – It’s difficult to think of a role better suited for the chameleon-like abilities of Toni Collette than Tara Gregson, a devoted wife and mother struggling with dissociative identity disorder. Every episode holds an element of surprise, since viewers are never quite sure which of Tara’s “alters” will emerge next. Will it be the perky ’50s housewife, the flirtatious teenager or the testosterone-oozing Vietnam vet?
CHICAGO – I personally think the show is slightly inferior to its hour-partner “Nurse Jackie,” but Toni Collette does such spectacular work on “United States of Tara” that her performance alone demands you tune in. Like Edie Falco on “NJ,” the incredibly talented Collette takes a challenging role that could have turned into caricature in the hands of a lesser actress and makes it genuine.
CHICAGO – When Quentin Tarantino sets out to write a World War II thriller set in Nazi-occupied France, he can’t help turning it into a hip commentary on war films. Similarly, when Diablo Cody sets out to write a straightforward horror picture about teenage angst, she can’t help turning it into a snarky farce, featuring characters who wisecrack to the bloody end.
CHICAGO – Some actors are so good that it’s easy to take their work for granted. Take Michael Cera, the veteran child actor-turned-unlikely teen heartthrob. From his breakout work in “Arrested Development,” to his crowd-pleasing performances in “Superbad” and “Juno,” Cera has created a comic persona as indelible as Woody Allen’s.