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Diablo Cody

Film Review: Uninspired Musical Story Isn’t Worth Telling in the Inspired-By ‘Ricki and the Flash’

CHICAGO – When I screened “Inside Llewyn Davis” from the Coen Bros. before it was nominated for two Oscars and praised by critics everywhere, I beefed to myself: Who is this musician? Why does his story matter as compared to so many other real musicians who you never hear about but deserve that kind of spotlight?

Film Review: Diablo Cody Loses Tone in Awful ‘Paradise’

CHICAGO – Diablo Cody’s directorial debut, “Paradise,” now available everywhere On Demand and released this Friday in some markets theatrically, is an unmitigated disaster. It’s the most tonally inconsistent film of 2013, a flick that fluctuates wildly from broad satire to manipulative drama to something altogether indescribably bad.

Blu-ray Review: Flawed Satire ‘God Bless America’ Has Moments of Brilliance

God Bless America Blu-ray

CHICAGO – How does one attempt to review a picture that has a 5-star opening act, a 2-star finale and several flashes of brilliance amidst a middling midsection? Are the good parts worth savoring despite the overarching flaws? In the case of Bobcat Goldthwait’s scathing yet softhearted satire on American idiocy, the answer is a resounding yes..

Interview: Bobcat Goldthwait Shoots Idiocy in the Face in ‘God Bless America’

CHICAGO – Embarrassments both mortifying and tragic are viewed through a cathartically hilarious and disarmingly humanistic lens in the cinema of Bobcat Goldthwait.

Blu-ray Review: Charlize Theron, Patton Oswalt Deliver in ‘Young Adult’

Young Adult with Charlize Theron (review)

CHICAGO – Jason Reitman took more risks with “Young Adult” than any film in his career. The fact that those risks paid off with a film that’s ultimately less satisfying than “Juno” or “Up in the Air” is not the point. I love to see such a talent as Reitman trying something as risky as a film with a completely loathsome protagonist for which no redemption is asked or offered. And Charlize Theron and Patton Oswalt simply rock in two of the best performances of their individual careers. I think Diablo Cody’s script lets all three of them down to a certain degree, but “Young Adult” is worth at least a rental for the performances alone.

Interview: ‘Young Adult’ Director Jason Reitman on Open-Ended, Non-Message Directing

CHICAGO – Instead of trying to fill giant shoes in the shadows of his legendary filmmaker father Ivan Reitman (“Ghostbusters”), Jason Reitman has been successfully blazing his own path of films without message that are designed to incite your thoughts and question your actions.

Film Review: Jason Reitman, Diablo Cody Sway Us to Like the Unlikable in ‘Young Adult’

CHICAGO – Mavis Gary (Charlize Theron) isn’t a girl you’d Facebook like. She’s got one too many dark passengers, she’s a repugnant drunk, she likes too much pink, her white dog is too puffy and most would consider it less than Usher cool that she’s throwing herself at a married man she couldn’t bag back in high school. Or is she? And is Mavis so different than you?

HollywoodChicago.com Hookup: 50 Pairs of Chicago Passes to ‘Young Adult’ With Charlize Theron

Young Adult with Charlize Theron

CHICAGO – In our latest dramedy edition of HollywoodChicago.com Hookup: Film, we have 50 admit-two movie passes up for grabs to the advance Chicago screening of “Young Adult” from the director of “Up in the Air” (Jason Reitman) and the writer of “Juno” (Diablo Cody) starring Charlize Theron and Patrick Wilson!

TV Review: Torturous ‘Suburgatory’ Ineptly Imitates Diablo Cody

CHICAGOABC reaches a new low with “Suburgatory,” one of the least funny comedies of the fall TV season. It’s only appropriate that the pilot premieres after ABC’s other torturous suburban sitcom, “The Middle,” since neither show seems to have been conceived by a writer willing to step foot outside of the L.A. city limits. Yet while “The Middle” was admittedly likable during its first season, “Suburgatory” tanks in its opening moments.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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