CHICAGO - Look past the cheesy carbs and b-boy poses, this shiny mo-cap reboot of cartoon juggernaut “Teenage Mutant Ninja Turtles” offers slick entertainment that makes for a welcome surprise for middle school fare. Proving that executive producer Michael Bay has both grown up but it still frightfully in tune with what jazzes teens, this surprise box office hit is indeed a nice slice of a blockbuster spectacle, whether or not a viewer cares about the turtles or not.
Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – Melissa McCarthy has jumped the shark. Or if she hasn’t, she’s strapped on the skis and is contemplating the ramp. Going once more to the same character well – this time with a script co-written with her husband Ben Falcone and directed by him – McCarthy shows little originality or gumption as the title character in “Tammy..”
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to the new “R”-rated comedy “Tammy” starring Melissa McCarthy and Susan Sarandon!
CHICAGO – In his directorial debut “Bad Words”, Jason Bateman plays Guy Trilby, a foulmouthed 40 year old man who aggressively competes in local youth spelling bees. The children are confused, and their parents are furious. However, the isolated Guy has no fear, with all of the rule loopholes in his back pocket.
CHICAGO – Talking dogs have been around for decades in animated movies and television shows, especially the anthropomorphized kind. From the superhero antics of Underdog to the biting sarcasm from the likes of Brian from “Family Guy” - take your pick and you can find a dog to your liking. I always took a shine to Mr. Peabody, the intelligent and resourceful beagle with a penchant for puns.
CHICAGO – “The Way, Way Back” made a solid $21 million domestically but I kind of expected it to be an even bigger hit when I saw it back in January at the Sundance Film Festival. I saw several dozen films at this year’s fest and nothing produced a response like Nat Faxon & Jim Rash’s sweet, sentimental comedy. The audience I saw it with LOVED it. And now that it’s on Blu-ray and DVD, I expect it to reach an even bigger audience through word-of-mouth recommendations. It’s a fun, clever movie with some great performances, including a supporting turn by Sam Rockwell that stands with the best of the year.
CHICAGO – CBS must have a whole wing of their headquarters dedicated to Chuck Lorre. Why not? He paid for it. He has been such a key part of their success over the last decade that it’s hard to think of any network-creator relationship that’s been more financially notable. “Two and a Half Men,” “The Big Bang Theory,” “Mike & Molly” — all winners of acting Emmys and at least the first two stand among the most popular comedies of their era. Can he do it again with “Mom,” premiering tonight, September 23, 2013? Don’t bet against him.
CHICAGO – Nothing evokes the time, sights and smells of summer like the getaway resort. The long days, the mystery of night, the first crush and the summer job are all brought back in the soapy yet fun “The Way, Way Back,” featuring Steve Carell, Sam Rockwell and Allison Janney.
CHICAGO – In the latest HollywoodChicago.com Hookup: DVD with our unique social giveaway technology, we have 10 free DVDs up for grabs for the highly anticipated home entertainment release of the beloved Disney/Pixar film “Finding Nemo” starring Ellen DeGeneres!
CHICAGO – “The Oranges” suffers from a common problem in these suburban comedies of error in that it assumes we care about these characters who are essentially less interesting than your actual neighbors. Infidelity, bad parenting, friendships collapsing – they’re happening every day on your street. Films like “The Oranges” may think they’re tapping a vein of picket fence peculiarity like “American Beauty” but the result actually plays more like a Showtime sitcom pilot that never got picked up because it was too boring to maintain week to week.