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Simon Pegg

Simon Pegg in Chicago, How to Lose Friends & Alienate People (7)

“How to Lose Friends & Alienate People” star Simon Pegg in Chicago on Aug. 27, 2008.
Photo credit: Patrick McDonald, HollywoodChicago.com

Simon Pegg in Chicago, How to Lose Friends & Alienate People (7)

Jeff Bridges, Simon Pegg, How to Lose Friends & Alienate People (2)

Clayton (Jeff Bridges, left) and Sidney (Simon Pegg) in Clayton’s office at Sharps magazine in “How to Lose Friends & Alienate People”.
Photo credit: Kerry Brown

Jeff Bridges, Simon Pegg, How to Lose Friends & Alienate People (2)

Simon Pegg, Megan Fox, How to Lose Friends & Alienate People (3)

Sidney (Simon Pegg, left) and Sophie (Megan Fox) at the Apollo Awards in “How to Lose Friends & Alienate People”.
Photo credit: Kerry Brown

Simon Pegg, Megan Fox, How to Lose Friends & Alienate People (3)

Simon Pegg in Chicago, Patrick McDonald, How to Lose Friends & Alienate People (6)

“How to Lose Friends & Alienate People” star Simon Pegg (left) in Chicago on Aug. 27, 2008 with Patrick McDonald (right).
Photo credit: Patrick McDonald, HollywoodChicago.com

Simon Pegg in Chicago, Patrick McDonald, How to Lose Friends & Alienate People (6)

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  • Chronicle with Dane DeHaan

    CHICAGO – With great power comes great responsibility. Since the invention of the written word, authors have been playing with the idea that power leads to problems as it is man’s inherent nature to use that power to satisfy his own needs. Superhero fiction is based on it (good guys use their power for good, villains use it for evil). A lot of sci-fi is based on it. And the smash hit “Chronicle” (over $120 million worldwide with 10% of that as its budget), recently released on DVD and Blu-ray, cleverly plays with these themes in a way that feels new. The DVD offers nothing notable in terms of special features so one should probably expect a special edition to be released to coincide with the in-production “Chronicle 2.”

  • The Vow with Rachel McAdams and Channing Tatum

    CHICAGO – I feel like a bit of a confession is necessary to frame my opinion of the truly awful “The Vow.” Lest you think this is just some cynical male critic, I like “The Notebook” and “The Lake House.” I even kind of like “Dear John” and didn’t hate “The Time Traveler’s Wife.” Yes, I’m a cheeseball when the cheese is well-done. I wanted to like “The Vow.” There’s nothing to like here unless you find taking talented, charming actors and making them deadly dull likeable.

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