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Martin Scorsese

Charlie Watts, Keith Richards, Martin Scorsese, Mick Jagger, Ronnie Wood, Shine a Light (1)

Charlie Watts, Keith Richards, Martin Scorsese, Mick Jagger, Ronnie Wood, Shine a Light (1)

Left to right: Charlie Watts, Keith Richards, director Martin Scorsese, Mick Jagger and Ronnie Wood backstage during filming of the Rolling Stones concert film “Shine a Light”.

Photo credit: Brigitte Lacombe

Keith Richards, Charlie Watts, Martin Scorsese, Mick Jagger, Ronnie Wood, Shine a Light (2)

Keith Richards, Charlie Watts, Martin Scorsese, Mick Jagger, Ronnie Wood, Shine a Light (2)

Left to right: Keith Richards, Charlie Watts, director Martin Scorsese, Mick Jagger and Ronnie Wood backstage during filming of the Rolling Stones concert film “Shine a Light”.

Photo credit: Brigitte Lacombe

Mick Jagger, Robert Richardson, Martin Scorsese, Shine a Light (7)

Mick Jagger, Robert Richardson, Martin Scorsese, Shine a Light (7)

Left to right: Mick Jagger, director of photography Robert Richardson and director Martin Scorsese backstage at the Beacon Theater while filming the Rolling Stones concert film “Shine a Light”.

Photo credit: Jacob Cohl, RST Concerts

Keith Richards, Martin Scorsese, Shine a Light (8)

Keith Richards, Martin Scorsese, Shine a Light (8)

Keith Richards (left) and director Martin Scorsese backstage at the Beacon Theater while filming the Rolling Stones concert film “Shine a Light”.

Photo credit: Jacob Cohl, RST Concerts

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  • The Projects

    CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”

  • Gambler, The 2

    CHICAGO – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.

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