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Martin Scorsese

Charlie Watts, Keith Richards, Martin Scorsese, Mick Jagger, Ronnie Wood, Shine a Light (1)

Charlie Watts, Keith Richards, Martin Scorsese, Mick Jagger, Ronnie Wood, Shine a Light (1)

Left to right: Charlie Watts, Keith Richards, director Martin Scorsese, Mick Jagger and Ronnie Wood backstage during filming of the Rolling Stones concert film “Shine a Light”.

Photo credit: Brigitte Lacombe

Keith Richards, Charlie Watts, Martin Scorsese, Mick Jagger, Ronnie Wood, Shine a Light (2)

Keith Richards, Charlie Watts, Martin Scorsese, Mick Jagger, Ronnie Wood, Shine a Light (2)

Left to right: Keith Richards, Charlie Watts, director Martin Scorsese, Mick Jagger and Ronnie Wood backstage during filming of the Rolling Stones concert film “Shine a Light”.

Photo credit: Brigitte Lacombe

Mick Jagger, Robert Richardson, Martin Scorsese, Shine a Light (7)

Mick Jagger, Robert Richardson, Martin Scorsese, Shine a Light (7)

Left to right: Mick Jagger, director of photography Robert Richardson and director Martin Scorsese backstage at the Beacon Theater while filming the Rolling Stones concert film “Shine a Light”.

Photo credit: Jacob Cohl, RST Concerts

Keith Richards, Martin Scorsese, Shine a Light (8)

Keith Richards, Martin Scorsese, Shine a Light (8)

Keith Richards (left) and director Martin Scorsese backstage at the Beacon Theater while filming the Rolling Stones concert film “Shine a Light”.

Photo credit: Jacob Cohl, RST Concerts

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  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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