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Haaz Sleiman

Danai Jekesai Gurira, Haaz Sleiman, The Visitor (3)

Danai Jekesai Gurira, Haaz Sleiman, The Visitor (3)

Danai Jekesai Gurira (left) and Haaz Sleiman in “The Visitor”.

Haaz Sleiman, The Visitor (5)

Haaz Sleiman, The Visitor (5)

Haaz Sleiman in “The Visitor”.

Haaz Sleiman, The Visitor (7)

Haaz Sleiman, The Visitor (7)

Haaz Sleiman in “The Visitor”.

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  • The King of Comedy

    Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.

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    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

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