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Gwyneth Paltrow

Gwyneth Paltrow, Iron Man (40)

The evil Iron Monger confronts Pepper Potts (Gwyneth Paltrow, front) in “Iron Man”.
Photo credit: Industrial Light & Magic

Gwyneth Paltrow, Iron Man (40)

Jeff Bridges, Gwyneth Paltrow, Iron Man (33)

Obadiah Stane (Jeff Bridges, left) and Pepper Potts (Gwyneth Paltrow, right) discuss the fate of billionaire industrialist Tony Stark in “Iron Man”.
Photo credit: Zade Rosenthal

Jeff Bridges, Gwyneth Paltrow, Iron Man (33)

Gwyneth Paltrow, Iron Man (32)

Gwyneth Paltrow stars as Pepper Potts in “Iron Man”.
Photo credit: Zade Rosenthal

Gwyneth Paltrow, Iron Man (32)

Gwyneth Paltrow, Robert Downey Jr., Iron Man (30)

Pepper Potts (Gwyneth Paltrow, left) chats with her boss, billionaire industrialist Tony Stark (Robert Downey Jr., right) in his workshop in “Iron Man”.
Photo credit: Zade Rosenthal

Gwyneth Paltrow, Robert Downey Jr., Iron Man (30)

Gwyneth Paltrow, Iron Man (28)

Gwyneth Paltrow stars as Pepper Potts in “Iron Man”.
Photo credit: Industrial Light & Magic

Gwyneth Paltrow, Iron Man (28)

Gwyneth Paltrow, Robert Downey Jr., Iron Man (23)

Pepper Potts (Gwyneth Paltrow, left) tends to her boss, billionaire industrialist Tony Stark (Robert Downey Jr., right), in “Iron Man”.
Photo credit: Zade Rosenthal

Gwyneth Paltrow, Robert Downey Jr., Iron Man (23)

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    CHICAGO – With NATO protests about to descend on Chicago, “La Haine” seems to have as much power as it did on its release almost twenty years ago. It is a visceral, draining experience about class struggles, increased diversity in Paris, economic inequality, and unchanneled rage. In other words, it’s a perfect choice for a Criterion Blu-ray upgrade as the Occupy Movement prepares to descend on the Windy City.

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    CHICAGO – With each passing year, Katherine Heigl’s claims about Judd Apatow’s sexism appear increasingly absurd. While Apatow is producing A-grade work from female filmmakers, such as “Bridesmaids” and HBO’s “Girls,” Heigl is portraying shallow ditzes who are susceptible to chauvinistic, overgrown adolescents. “The Ugly Truth,” “Killers,” “Life as We Know It” and “New Years Eve” is not a track record worth bragging about.

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