Errol Morris

Errol Morris in Chicago, Standard Operating Procedure (10)

Submitted by HollywoodChicago.com on May 6, 2008 - 8:45am.

“Standard Operating Procedure” director Errol Morris in Chicago on April 15, 2008.

Photo credit: Patrick McDonald, HollywoodChicago.com

Submitted by HollywoodChicago.com on May 6, 2008 - 8:38am.

Director Errol Morris on the set of “Standard Operating Procedure”.

Photo credit: Nubar Alexanian
© 2007 Max Ave Productions. Courtesy of Sony Pictures Classics.

Submitted by HollywoodChicago.com on May 6, 2008 - 8:33am.

Director Errol Morris on the set of “Standard Operating Procedure”.

Photo credit: Nubar Alexanian
© 2007 Max Ave Productions. Courtesy of Sony Pictures Classics.

Submitted by HollywoodChicago.com on May 6, 2008 - 8:25am.

Director Errol Morris on the set of “Standard Operating Procedure”.

Photo credit: Nubar Alexanian
© 2007 Max Ave Productions. Courtesy of Sony Pictures Classics.

‘Superior Donuts’ From Pulitzer Prize-Winning Playwright Tracy Letts a Chicago Dish, Albeit a Stale One

CHICAGO – I wouldn’t have wanted to be Tracy Letts on Saturday afternoon. After winning both the Pulitzer Prize and the Tony Award for his opus “August: Osage County,” he had to have been feeling the tremendous pressure being placed on his newest work and first comedy “Superior Donuts”.
Chicago’s ‘Relatively Close’ is Concrete Proof That Death is Easy, Comedy is Hard

CHICAGO – Forget the Year of the Rat. This is the year of the dysfunctional family reunion.

With Tracy Letts’ Pulitzer Prize-winning drama “August: Osage County,” the Broadway remounting of “Cat on a Hot Tin Roof” and the Tony-sweeping revival of “Gypsy,” 2008 has been saturated with some of the finest performances of relational drama that theatre has seen in years.