November 2012

CHICAGO – We didn’t see this one coming. Starz has canceled their most highly-acclaimed drama “Boss,” starring Kelsey Grammer, Golden Globe-winner less than a year ago. The show had a number of critics on its side but the ratings never matched the press and Starz has decided not to re-elect the program for a third year.

CHICAGO – Perhaps acknowledging that his status amongst Hollywood muckrakers has diminished in recent years, Oliver Stone follows up his toothless Bush biopic and needless “Wall Street” sequel with a wholly inconsequential yet thoroughly diverting little thriller. It’s pure trash that also happens to be Stone’s most compulsively watchable effort since 1995’s “Nixon.”

CHICAGO – Jay Roach’s “The Campaign” should have been a slam dunk. A political comedy during an intense Presidential campaign with two of the funniest actors in movies today from a director who knows how politics can make for bizarre behavior after helming HBO’s stellar “Campaign Change” about Sarah Palin & John McCain. How could it fail? While “The Campaign” isn’t an outright disaster, it’s ultimately a disappointment, taking easy shots at physical humor and sex jokes instead of the clever satire it could have been.

CHICAGO – Wrestling games have always been a curious genre. They’ve always treated matches as if they’re actual athletic competitions, where one guy is attempting to beat the other guy within an inch of his life and pin him or make him submit. This is problematic since we all know that a real pro-wrestling match is more akin to a heavily muscled dance number than an actual fight (though they both get colorful outfits) and the excitement of a match - innovative moves, heightened drama, near falls - are all but absent in the “wrestling is real” gameplay model because simply put, the better you are, the shorter and less fun your matches will be, especially against the historically brain-dead AI you find in wrestling games.

CHICAGO – It starts with a moment from Skyfall in which Bond is shot by a sniper as he fights on top of a train. Falling helpless into a river he has a series of flashbacks which form the basis of the rest of the game. It’s an apt setup for a game that suffers from loss of vision and ultimately has all the energy of a project that is in desperate need of rescue.

CHICAGO – Sean Penn picks his roles carefully, and famously said he didn’t know what the story meant in “Tree of Life.” His attachment to “This Must Be the Place” continues the vague journey through movieland, as he plays a bizarre and aging rock star whose life is about to get interesting.

CHICAGO – It’s funny that a movie with the word “Playbook” in its title is so clearly about how those of us who think we know exactly where life is taking us are merely kidding ourselves. Like so many of us, the hero of “Silver Linings Playbook,” Pat Solatano (Bradley Cooper), has a plan to find happiness, to find his silver lining.

CHICAGO – Though cinema is first and foremost a visual medium, too many modern directors have become prone to using it as a stage for long-winded exposition. No matter how polished the lensing is in a film like David Fincher’s “Girl With the Dragon Tattoo” remake, the picture basically amounts to a series of dense dialogue passages interrupted by violence.

CHICAGO – Even the most hardcore, defiant fans of “The Twilight Saga” must admit that there clearly was not enough material in Stephenie Meyer’s final book to justify two films.

CHICAGO – It is with mixed emotions that one regards the tenth anniversary edition of “My Big Fat Greek Wedding.” On one hand, it evokes memories of the crowded theaters that guffawed in delight during the film’s year-long theatrical run. On the other hand, it serves as a bitter reminder of the failed career it had promised to launch.

CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 30 pairs of movie passes up for grabs to the advance screening of “Anna Karenina” with Keira Knightley and Jude Law!

CHICAGO – Blame the recent popularity of “The Walking Dead,” but zombies have never been more mainstream consumer-friendly and, as such, Hollywood is taking advantage of the trend. And one of the many great things about zombie movies is that they’re scalable.

CHICAGO – Any film fan that hasn’t seen Roman Polanski’s “Rosemary’s Baby” has not yet completed Movies 101. The fact is that this work is a reference point for so many others that anyone who loves cinema simply must see it to understand the form. Roman Polanski’s 1968 adaptation of Ira Levin’s hit book is a near-perfect example of urban horror, the scary story built around the idea that any door in any apartment building could be hiding pure Hell. It’s the latest addition to The Criterion Collection and a fantastic choice by the brain trust at the company that chose to include it.

CHICAGO – Relate the now iconic term “Sunday Bloody Sunday,” and most likely a off-tune rendering of the famous rock song by U2 will follow. But the title was originally expressed in director John Schlesinger’s groundbreaking film of 1971, “Sunday Bloody Sunday,” recently released on Blu-ray through The Criterion Collection.