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    CHICAGO – I’ve had a deep fascination with ghost stories since I was a kid. There is something both interesting and terrifying knowing that there are often unseen forces we could be encountering in our everyday life. Olivier Assayas creates an unexplainable phantasm thriller in “Personal Shopper” that remains completely captivating throughout even if you don’t understand what you just experienced.

Current Film Reviews

  • HollywoodChicago.com Oscarman rating: 3.0/5.0
    Rating: 3.0/5.0

    CHICAGO – I’ve had a deep fascination with ghost stories since I was a kid. There is something both interesting and terrifying knowing that there are often unseen forces we could be encountering in our everyday life. Olivier Assayas creates an unexplainable phantasm thriller in “Personal Shopper” that remains completely captivating throughout even if you don’t understand what you just experienced.

  • HollywoodChicago.com Oscarman rating: 3.5/5.0
    Rating: 3.5/5.0

    CHICAGO – “The Sense of an Ending” is a highfalutin title, automatically putting most folks into book club mode. It is adapted from a novel, and the narrative has the same page turning-type rhythm. An old man, portrayed by Jim Broadbent, is encountering his past, while his current situation remains untenable.

  • HollywoodChicago.com Oscarman rating: 5.0/5.0
    Rating: 5.0/5.0

    CHICAGO – Do not doubt the power of live action to create a new atmosphere of joy and…dare I say it…beauty. The re-imagining of the animated classic “Beauty and the Beast” is everything that the previous was and much more. It packs a true and emotional wallop that follows through to the end.

  • HollywoodChicago.com Oscarman rating: 3.5/5.0
    Rating: 3.5/5.0

    CHICAGO – Leave it to the Europeans to inject some realistic drama into the art of animation. The recently Oscar nominated “My Life as a Zucchini” is opening in Chicago this weekend, and tells the story of parental abandonment, orphanages and finding family. Co-produced by France and Switzerland, it uses a familiar claymation stop-motion style for more emotional resonance.

  • HollywoodChicago.com Oscarman rating: 4.0/5.0
    Rating: 4.0/5.0

    CHICAGO – King Kong is a wholly generated creature of the movies. Ever since the gorilla legend came to life on screen way back in 1933, he has appeared in countless official remakes, cheap exploitation flicks and now as a symbol of American overreach. He still rules in “Kong: Skull Island.”

  • HollywoodChicago.com Oscarman rating: 2.5/5.0
    Rating: 2.5/5.0

    CHICAGO – “Table 19” is an example of a movie that doesn’t try to do too much. It simply takes its little idea and lets it play out, without the forced subplots and desperate stabs of fake urgency so many studio comedies resort to – it’s one part aimless hang out comedy, one part rom-com. It is an amusing-if-forgettable 87 minutes with a group of funny people who get more laughs than they probably should have from such thin material.

  • HollywoodChicago.com Oscarman rating: 2.5/5.0
    Rating: 2.5/5.0

    CHICAGO – To create spirituality from tragedy is like shooting the proverbial fish – a prominent symbol for Christianity – in a barrel. “The Shack” is based on a popular novel, and doesn’t try to do anything different or cinematic with a man encountering the Holy Trinity after a horrific incident.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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