CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.
A Metaphorical Peek Under the Skirt of ‘Jennifer’s Body’ From Screenwriter Diablo Cody
“Juno” and “Jennifer’s Body” screenwriter Diablo Cody.
Photo credit: ViewImages
After reading a Sept. 20, 2007 draft of the “Jennifer’s Body” script from Cody, Peter Sciretta at /Film on Saturday published a read-worthy script review. I’ve highlighted some standout nuggets below.
Cody’s mix of razor-sharp wit, obscure pop-culture references, unique characters and ability to maneuver her way through potentially cliché situations has all of Hollywood calling her name.
I’m sure some people will see some comparisons to “Juno” especially in the characterizations and dialogue.
Anita “Needy” Lesnicki is kind of a quick-witted geek: the kind [who] uses the word “ostentatious” during … everyday conversation and dates a band geek named Chip.
Jennifer is the hotter, more popular member of the duo.
“Jennifer’s Body” is a very different [script] than “Juno”. For example, it is extremely gory.
One passage from Cody’s script describes a scene where blood and viscera [are] scattered everywhere with intestines strewn about “like party streamers”. One victim is described as looking like “lasagna with teeth”.
The main problem with “Jennifer’s Body” is that – as it begins to wind down – you realize you already know how it ends.
If I were to offer one suggestion to Fox Atomic, it would be this: begin the story at the beginning and not the ending.
It should also be noted that the screenplay is 115 pages long, which usually translates to an almost two-hour film. That might be a tad … too long for a genre film.
Read the full /Film script review here.