The John Cusack Red-Carpet Shot From Oct. 12 ‘Grace is Gone’ Premiere

CHICAGO – With NATO protests about to descend on Chicago, “La Haine” seems to have as much power as it did on its release almost twenty years ago. It is a visceral, draining experience about class struggles, increased diversity in Paris, economic inequality, and unchanneled rage. In other words, it’s a perfect choice for a Criterion Blu-ray upgrade as the Occupy Movement prepares to descend on the Windy City.

CHICAGO – With each passing year, Katherine Heigl’s claims about Judd Apatow’s sexism appear increasingly absurd. While Apatow is producing A-grade work from female filmmakers, such as “Bridesmaids” and HBO’s “Girls,” Heigl is portraying shallow ditzes who are susceptible to chauvinistic, overgrown adolescents. “The Ugly Truth,” “Killers,” “Life as We Know It” and “New Years Eve” is not a track record worth bragging about.